Pirogue is a general term to describe boats such as canoes or ‘dugouts’. On the West African coast large versions of the traditional canoe shape, powered by a single motor, are used for fishing. The local fishing industry is in decline from overfishing (including factory fishing by trawlers from the EU) and this gives a further impetus to the attempts to leave the region and migrate to where there might be jobs. Thousands have left the coasts of Senegal and Mauritania in open boats, attempting to reach European beaches. Most of those who have survived the trip have ended up in the Canaries, part of Spain. This film ends with a title informing us that 1 in 6 of these illegal migrants fails to survive – and many of the others are then ‘repatriated’ back to their home country.
Moussa Touré’s film is based on a novel and it tells the tale of one such journey from Dakar. In one sense the narrative is familiar, comprising a mix of the standard illegal migration story (what motivates both the migrants and the people who transport them?) and the ‘forced community trapped in a boat’ genre typified by the Hollywood disaster movie. One of the earliest examples of the latter was Hitchcock’s Lifeboat. The tragedy of La pirogue is that the travellers have chosen this ordeal. Some of them know the dangers, others are so desperate to leave that they probably don’t want to know.
The film is handsomely mounted and looks good in a CinemaScope presentation. The narrative provides us with two main groups: the boat’s captain and his brother plus the trip’s organiser and others in their circle as opposed to the passengers who represent people from the interior including some from Guinea who speak a different language. Allied to these differences are familiar oppositions of young and old, secular and religious. There is enough potential narrative conflict to sustain the film’s relatively short running time and I found it gripping. If I’m honest though, I did think that as a suspense film – who will survive the trip, what kinds of dangers will the boat face? – there were too many clues to what might happen and I found myself in that familiar position of admonishing characters for not being careful enough with essential items of equipment. It will be interesting to see how the film goes down with audiences. It’s a mainstream popular film from Senegal with production values commensurate with European funding and technical support. My fear is that it might fall between two stools – perhaps not enough excitement for the mainstream but possibly not quite enough characterisation and observation for the arthouse. So far, it hasn’t got UK distribution, though it has opened in France and I think it is booked for North America. The people in the boat are a divided community and I’m not sure what this says about Senegal if the film is in any way metaphorical. I think it’s this thought that makes me wish that we found out more about the individual characters and their problems. But despite my slight misgivings I urge you to see this if you get the chance.
Cornerhouse in Manchester starts a season of Francophone films from Europe, Africa, the Antilles and Quebec today. It’s an interesting programme compiled by Rachel Hayward and supported by Alliance française de Manchester and the School of Arts, Languages and Cultures at the University of Manchester. I’m helping to teach an associated evening class and I’ll be blogging on some of the films being screened. The Cornerhouse season includes the following titles:
It’s Not Me I Swear! (C’est pas moi, je le jure!, Canada 2008)
Thu 18 Oct at 18:30
A rare opportunity in the UK to see an earlier film by Philippe Falardeau, director of the wonderful Monsieur Lazhar.
Laurence Anyways (Canada 2012)
Sun 21 Oct at 15:30
The new film by enfant terrible Xavier Dolan which will be on release in the UK and Ireland in December.
Black Shack Alley (Rue cases nègres, Martinique-France 1983)
Wed 24 Oct at 18:30
Another rare opportunity, this time to see a classic film no longer available in the UK. Directed by Euzhan Palcy and based on the book by Joseph Zobel this was a milestone film. I’ll be introducing this screening and posting material on the blog.
War Witch (Rebelle, Canada 2012)
Wed 7 Nov at 18:30
Canada’s entry for the Best Foreign Language film entry for the next Academy Awards. A prizewinner at festivals across the world, Kim Nguyen’s film about a girl forced to become a child soldier in an unnamed African country is one to seek out.
La pirogue (Senegal-France-Germany 2012)
Mon 12 Nov at 18:20
Another of this year’s festival favourites – Moussa Touré’s film about migrants from Africa hoping to reach Europe in open boats.
Our Children (À perdre la raison, Belgium-Switzerland-France-Luxembourg)
Thu 15 Nov at 20:40
A starry cast: Niels Astrup, Tahar Rahim and Emilie Dequenne in Joachim Lafosse’s film based on a real story about a mother and her children faced with a difficult family situation. The UK release will be in 2013.
Sister (France-Switzerland 2012)
On release during November, please check the Cornerhouse listings.
Ursula Meier’s film about a young boy and his sister starring Gillian Anderson and Martin Compston alongside Lea Seydoux and Kacey Mottet Klein has both English and French dialogue. Meier’s realist style in this film has been compared to that of the Dardennes Brothers.