Sembène! is the new documentary about the great Senegalese director, Sembène Ousmane. It first showed in the UK at last year’s London Film Festival, but is now getting a limited UK release courtesy of the Africa in Motion Festival, based in Scotland. Screenings are listed on the film’s website and they begin in Edinburgh at the Filmhouse on Thurs October 6th followed by Tyneside Cinema, Newcastle on the 7th, HOME, Manchester on the 8th, Hyde Park, Leeds on the 9th, Showroom, Sheffield on the 10th and Broadway, Nottingham on the 11th. Each screening is accompanied by a personal appearance by the film’s co-director Samba Gadjigo. He then gets a couple of days rest before his London appearances. The website gets a little surreal at this point since he is listed as ‘in attendance’ at both Picturehouse Central and Brixton Ritzy at the same time on Friday October 14th. Perhaps there will be a satellite link between the two cinemas or he will introduce the film in the West End then get the tube to Brixton? Best check the cinemas for the details.
I’d like to urge you to see this wonderful documentary. If you know Sembène’s work you’ll discover some fascinating insights into his background and his life behind the camera. If you don’t know his films and aren’t aware of why he is such a revered figure, then this is an excellent introduction. His films themselves use great music and the documentary adds some interesting graphics. These documentary screenings are, in most of the cinemas, part of the BFI-sponsored mini-tour Rebel With a Camera: The Cinema of Ousmane Sembène which comprises the documentary plus three key films from Sembène’s career, Black Girl (La Noire de, Senegal-France 1966), Xala (Senegal 1974) and Moolaadé (Senegal-Burkina Faso-Tunisia-Cameroon-Morocco 2004). These films are showing on various dates at different cinemas, so best to check with the cinema nearest you.
I feel privileged to be able to chair the Q&A at HOME in Manchester which is screening all four films during October – dates here. Sembène has been called ‘The Father of African Cinema‘ and I’ve written a brief survey of his work here. The blog post dates from 2008 and I’ll be updating it when I can.
Here’s the trailer for Sembène! – I hope you can get to see it:
I’m not sure I’ve seen a Mozambican feature film (as distinct from a feature film with scenes set in Mozambique). Perhaps I’ll get the chance to see Resgate (Ransom) – but first its creators will need to finalise their production plans. Resgate is a production project for Mahla Filmes based in Maputo. Mickey Fonseca and Pipas Forjaz are Mozambican filmmakers with experience of working in South Africa and in Mozambique where they have made ‘institutional films’, music videos and shorts. Resgate is their project to produce a film that will reach popular audiences for a crime genre film which deals with issues in contemporary Mozambican society. Four years in preparation, Resgate is now the focus of a crowd-funding project on Indiegogo and you can find out about the film on this Indiegogo page:
The page offers further links to information about Mahla Filmes and the filmmakers, including a Showreel of their work. I also recommend visiting the Mahla Filmes website. This shows the range of the company’s work. I was taken by the short films, some of which deal with social issues. Two of the ones I sampled dealt with domestic violence. Here is one of them (with English subs):
This short 22 minute film is a mixture of social issue/family melodrama and a public service film (it shows how to file a complaint and press charges about domestic violence). In that sense it has links to Anglophone films from Southern Africa (and was funded by the Netherlands Ministry of Foreign Affairs). I enjoyed the film and, since it was produced 5 years ago, I expect that the team’s production expertise can only have improved again. It bodes well for their first feature production. But to do full justice to their script and hopes for Resgate they need to raise a further $150,000. Please take a look at their Indiegogo page and consider investing in the future of Mozambique cinema.
I’ve recently posted two reviews on The Global Film Book Blog of films that are officially on release in the UK but which are very difficult to find. Theeb (Jordan/Qatar/UAE/UK 2014) is one of my films of the year but on 30th August, after three weeks on release, it had taken only £35,000 and was playing on just 5 screens.
The Forgotten Kingdom (Lesotho/South Africa/US 2013) opened on just one screen on 21st August, taking a respectable £2,137. Those are the BFI’s figures. The film’s own website suggests a couple more venues, but even so this film, which I found enjoyable and worthwhile and informative about a country I knew very little about, is unlikely to play more than a few dates a week over the next few months.
I don’t blame the distributors, New Wave and Munro Film, but rather the exhibitors and the lack of ambition to bring films like these to audiences. I can’t blame audiences if the films are not there to watch. Here in the North of England we are lucky that a handful of independent cinemas such as HOME in Manchester, Showroom in Sheffield, the Hyde Park in Leeds and Hebden Bridge Picturehouse are willing to screen titles like these. I’m also pleased to see The Station in Richmond, North Yorkshire on the list for The Forgotten Kingdom. But it’s depressing to see that there are more dates for Ireland (North and South) than there are for England and Scotland.
Please have a look at the reviews and see if they sound interesting to you. Then look out and see if they are showing near you (why not ask your local cinema why they aren’t on offer?). No doubt they will appear on DVD soon. I hope to see them booked in for community cinema showings in West Yorkshire in the Autumn.
Want to learn more about the second largest film industry in terms of output, then tune in to Al Jazeera (133 on UK terrestrial). In their series Al Jazeera World they are broadcasting a film by Abba Makama, The Secret of Nollywood. And Al Jazeera Stream later in the coming week will focus on the industry and films as well. Makama’s 50 minute film looks at the history of the industry, includes interviews with participants and clips of numerous productions, and has comments on the style of the films and the manner in which the industry operates. The film is a conventional array of talking heads and film clips, and I thought it rather lacked detail. For example, not every clip is dated, we get no actual figures for annual output and the specific operations, like distribution, are rather vague. At the same time it does give an impression of this relatively new phenomenon, which is now available in the UK.
The film goes into the early years of film in Nigeria after the end of formal colonialism: there was a pioneer operation on 35mm which used both touring exhibitions and exports to festivals and other African markets. This died away in the 1980s and then in the 1990s a new industry emerged using VHS format and distribution. This has developed into the use of DVD and now Online download technology. In addition Nigeria has acquired a small number of multiplexes and there are cinema screenings in Nigeria, in other African markets, and (as Roy has noted) a few in the UK.
This seems to be a little known section of World Cinema. But its rapid development suggests that it will grow in importance in the future. And these days screenings of African films are extremely sparse.
Screening Sunday 1300; Monday 0200; Tuesday 0700, and more. – GMT.
Visit Al Jazeera WebPages: http://www.aljazeera.com/programmes/south2north/2013/05/201352933595432.html