The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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Roy Stafford

Posts

  • Impasse du deux anges (France 1948) May 29, 2020
  • La bête humaine (France 1938) May 26, 2020
  • Take Me Somewhere Nice (Bosnia-Netherlands 2019) May 25, 2020
  • Against the Wind (UK 1948) May 23, 2020
  • A Russian Youth (Russia 2019) May 22, 2020
  • The Orphanage (Parwareshghah, Denmark-Lux-France-Germany-Afghanistan 2019) May 19, 2020
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Recent Posts

  • The Hidden Blade (Kakushi ken oni no tsume Japan, 2007)
  • Tehran Taboo (Germany-Austria 2017)
  • Impasse du deux anges (France 1948)
  • La bête humaine (France 1938)
  • Take Me Somewhere Nice (Bosnia-Netherlands 2019)
  • Against the Wind (UK 1948)

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Recent Comments

  • john David hall on Tehran Taboo (Germany-Austria 2017)
  • keith1942 on La bête humaine (France 1938)
  • keith1942 on Against the Wind (UK 1948)
  • Roy Stafford on Nachmittag (Afternoon, Germany 2007)
  • Ashima Prashar on Nachmittag (Afternoon, Germany 2007)
  • Roy Stafford on The Orphanage (Parwareshghah, Denmark-Lux-France-Germany-Afghanistan 2019)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Leeds International Film Festival LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Albert Finney 1936 to 2019
    • Max von Sydow 1929 to 2020
    • Bibi Andersson 1935 to 2019
    • Stanley Donen 1924 to 2019
    • Films That Fit the Times
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Hidden Blade (Kakushi ken oni no tsume Japan, 2007)
    • Tehran Taboo (Germany-Austria 2017)
    • In the Fog (V tumane, Germany-Netherlands-Belarus-Russia-Latvia 2012)
    • I vitelloni (Italy 1953)
    • Carry on Cabby (UK 1963)
  • Roy Stafford
    • Impasse du deux anges (France 1948)
    • La bête humaine (France 1938)
    • Take Me Somewhere Nice (Bosnia-Netherlands 2019)
    • Against the Wind (UK 1948)
    • A Russian Youth (Russia 2019)

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