The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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  • Rossellini and Neo-realism
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  • What’s this blog for?

nicklacey

Nick Lacey is a freelance film and media teacher, based in UK. He is the author of several textbooks published by Palgrave Macmillan. He supports Everton and Lancashire.

Posts

  • Tag (Riaru onigokko, Japan 2015) January 17, 2020
  • Judy & Punch (Australia 2019) December 23, 2019
  • Monos (Colombia-Argentina-Netherlands-Germany-Sweden-Uruguay-USA-Switzerland-Denmark 2019) December 6, 2019
  • The Irishman (US 2019) November 28, 2019
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Recent Posts

  • Tag (Riaru onigokko, Japan 2015)
  • My Hindu Friend (Brazil 2015)
  • To Joy (Till glädje, Sweden 1950)
  • Amanda (France 2018)
  • So Long, My Son (Dijiutianchang, China 2019)
  • The Hi-Lo Country (UK-Germany-US 1998)

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Recent Comments

  • carlosnightman on Tag (Riaru onigokko, Japan 2015)
  • keith1942 on So Long, My Son (Dijiutianchang, China 2019)
  • keith1942 on The Twilight Western
  • Roy Stafford on The Bishop’s Wife (US 1947)
  • john David hall on La belle époque (France 2019)
  • keith1942 on La belle époque (France 2019)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Latin American Cinema Melodrama People Politics on film Romance Spanish Cinema

#GFF19 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 Hebden Bridge Picture House home front drama Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Leeds International Film Festival LFF2019 LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • 2019 in retrospect
    • Palestinian Cinema in Leeds
    • The New Pictureville
    • Le Giornate del Cinema Muto 2019
    • Cinemalibero: FESPACO 1969 – 2019
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • Tag (Riaru onigokko, Japan 2015)
    • Judy & Punch (Australia 2019)
    • Monos (Colombia-Argentina-Netherlands-Germany-Sweden-Uruguay-USA-Switzerland-Denmark 2019)
    • The Irishman (US 2019)
    • LIFF 2019 #11: System Crasher (Systemsprenger Germany, 2019)
  • Roy Stafford
    • My Hindu Friend (Brazil 2015)
    • To Joy (Till glädje, Sweden 1950)
    • Amanda (France 2018)
    • So Long, My Son (Dijiutianchang, China 2019)
    • The Hi-Lo Country (UK-Germany-US 1998)

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