The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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Rona

Posts

  • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017) October 18, 2018
  • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980) March 19, 2018
  • Dark River (UK 2017) February 25, 2018
  • Chantal Akerman: No Home Movie (Belgium-France 2015) June 24, 2016
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  • Sorry We Missed You (UK-France-Belgium 2019)
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  • Roy Stafford on The New Pictureville
  • john David hall on LFF 2019 #9: Koko-di Koko-da (Sweden-Denmark 2019)
  • john David hall on London Film Festival 2019 Preview

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  • Film Festivals
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  • FREE Education Resources to Download
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  • Kore-eda Hirokazu
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

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Film and Media Education since 1990

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  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
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  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
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    • Sorry We Missed You (UK-France-Belgium 2019)
    • The Florida Project (US 2017)
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    • Behemoth (Bei xi mo shou, China-France 2015)
    • The Last Tree (UK 2019)
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    • LIFF 2019 #1: One Last Deal (Tuntematon mestari, Finland 2018)
    • Akasha (Sudan-South Africa-Germany-Qatar 2018)
    • World on Fire (UK 2019)
    • LFF 2019 #14: Atlantique (Atlantics, Senegal-France-Belgium 2019)
    • LFF 2019 #13: Zombi Child (France 2019)

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