The Case for Global Film

The Case for Global Film

Discussing everything that isn't Hollywood (and a little that is)
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Rona

Posts

  • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017) October 18, 2018
  • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980) March 19, 2018
  • Dark River (UK 2017) February 25, 2018
  • Chantal Akerman: No Home Movie (Belgium-France 2015) June 24, 2016
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  • Diego Maradona (UK 2019)
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  • Miraculous Virgin (Panna zázracnica, Czechoslovakia 1967)

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  • Roy Stafford on High Life (France-Germany-Poland-UK-US 2018)
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  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Latin American Cinema Melodrama People Politics on film Romance Spanish Cinema

#GFF19 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF16 GFF18 Glasgow FF15 Hebden Bridge Picture House Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Kore-eda Hirokazu Leeds International Film Festival LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Pavilion: Artists on Film
    • Arabs and Niggers, Your Neighbours (Les Bicots-Négres, Vos Voisins, Mauritania-France, 1974)
    • Il Cinema Ritrovato 2019
    • A survey worth completing
    • Kimuak – Basque Short Films
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • Miraculous Virgin (Panna zázracnica, Czechoslovakia 1967)
    • It’s Only the End of the World (Juste la fin du monde, Canada-France 2016)
    • The Party and the Guests (O slavnosti a hostech Czechoslovakia, 1966)
    • An Introduction to Pan’s Labyrinth (El laberinto del fauno Spain-Mexico-USA, 2006)
    • A Kind of Loving (UK 1962)
  • Roy Stafford
    • Diego Maradona (UK 2019)
    • Article 15 (India, Hindi 2019)
    • Gaza (Ireland-Palestine 2019)
    • Spoor (Pokot, Poland-Slovakia-Germany-Czech Republic-Sweden-France 2017)
    • Saturday Afternoon (Shonibar Bikel, Bangladesh-India-Germany 2019)

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