The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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Rona

Posts

  • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017) October 18, 2018
  • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980) March 19, 2018
  • Dark River (UK 2017) February 25, 2018
  • Chantal Akerman: No Home Movie (Belgium-France 2015) June 24, 2016
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  • Tag (Riaru onigokko, Japan 2015)
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  • Our Film Courses
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  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

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Film and Media Education since 1990

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  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • 2019 in retrospect
    • Palestinian Cinema in Leeds
    • The New Pictureville
    • Le Giornate del Cinema Muto 2019
    • Cinemalibero: FESPACO 1969 – 2019
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • Tag (Riaru onigokko, Japan 2015)
    • Judy & Punch (Australia 2019)
    • Monos (Colombia-Argentina-Netherlands-Germany-Sweden-Uruguay-USA-Switzerland-Denmark 2019)
    • The Irishman (US 2019)
    • LIFF 2019 #11: System Crasher (Systemsprenger Germany, 2019)
  • Roy Stafford
    • My Hindu Friend (Brazil 2015)
    • To Joy (Till glädje, Sweden 1950)
    • Amanda (France 2018)
    • So Long, My Son (Dijiutianchang, China 2019)
    • The Hi-Lo Country (UK-Germany-US 1998)

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