The Case for Global Film

The Case for Global Film

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Rona

Posts

  • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017) October 18, 2018
  • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980) March 19, 2018
  • Dark River (UK 2017) February 25, 2018
  • Chantal Akerman: No Home Movie (Belgium-France 2015) June 24, 2016
  • Further thoughts on Phoenix (Germany 2014) June 8, 2015
  • Notes on Screen Acting: Jessica Chastain April 21, 2015
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Recent Posts

  • 64th London Film Festival 7-18 October 2020
  • Ingrid Bergman: in her own words (Jag är Ingrid, Sweden-Denmark-Germany 2015)
  • The Mourning Forest (Mogari no mori, Japan-France 2007)
  • The Silent Partner (Canada 1978)
  • John Ford #3: Mogambo (UK-US 1953)
  • Echo (Bergmál, Iceland-France 2019)

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Recent Comments

  • keith1942 on Ingrid Bergman: in her own words (Jag är Ingrid, Sweden-Denmark-Germany 2015)
  • Roy Stafford on The Silent Partner (Canada 1978)
  • john David hall on The Silent Partner (Canada 1978)
  • keith1942 on John Ford #3: Mogambo (UK-US 1953)
  • Vigour of Film Lines on Swimming Pool (France-UK 2003)
  • Roy Stafford on John Ford’s legacy in the 21st Century

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Leeds International Film Festival LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Kirk Douglas 1916 to 2020
    • Ennio Morricone, 1928 to 2020
    • Michel Piccoli, actor 1925 to 2020
    • Albert Finney 1936 to 2019
    • Max von Sydow 1929 to 2020
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • 64th London Film Festival 7-18 October 2020
    • Ingrid Bergman: in her own words (Jag är Ingrid, Sweden-Denmark-Germany 2015)
    • The Mourning Forest (Mogari no mori, Japan-France 2007)
    • The Silent Partner (Canada 1978)
    • John Ford #3: Mogambo (UK-US 1953)

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