The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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Rona

Posts

  • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017) October 18, 2018
  • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980) March 19, 2018
  • Dark River (UK 2017) February 25, 2018
  • Chantal Akerman: No Home Movie (Belgium-France 2015) June 24, 2016
  • Further thoughts on Phoenix (Germany 2014) June 8, 2015
  • Notes on Screen Acting: Jessica Chastain April 21, 2015
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Recent Posts

  • GFF20 #19: Children of Men (US-UK-Japan 2006)
  • The Daughters of Fire (Las hijas del fuego, Argentina 2018)
  • Neighbouring Sounds (O Som ao Redor Brazil, 2012)
  • ¡Viva! 26 #4: Esto no es Berlín (This Is Not Berlin, Mexico 2019)
  • The Miracle of the Sargasso Sea (To thávma tis thálassas ton Sargassón Greece-Germany-Netherlands-Sweden, 2019)
  • The Silence (Tystnaden, Sweden 1963)

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Recent Comments

  • Roy Stafford on The Daughters of Fire (Las hijas del fuego, Argentina 2018)
  • Roy Stafford on The Miracle of the Sargasso Sea (To thávma tis thálassas ton Sargassón Greece-Germany-Netherlands-Sweden, 2019)
  • john David hall on Gumshoe (UK 1971)
  • Roy Stafford on Gumshoe (UK 1971)
  • Roy Stafford on Gumshoe (UK 1971)
  • john David hall on Gumshoe (UK 1971)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

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#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 Hebden Bridge Picture House home front drama Hong Kong cinema Hyde Park Picture House Ken Loach Leeds International Film Festival LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Films That Fit the Times
    • King Vidor Retrospective
    • In Defence of Ken Loach
    • Fitzcarraldo by Lutz Koepnick
    • Tony Garnett, 3 April 1936 – 12 January 2020
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • GFF20 #19: Children of Men (US-UK-Japan 2006)
    • The Daughters of Fire (Las hijas del fuego, Argentina 2018)
    • Neighbouring Sounds (O Som ao Redor Brazil, 2012)
    • The Miracle of the Sargasso Sea (To thávma tis thálassas ton Sargassón Greece-Germany-Netherlands-Sweden, 2019)
    • The Silence (Tystnaden, Sweden 1963)
  • Roy Stafford
    • ¡Viva! 26 #4: Esto no es Berlín (This Is Not Berlin, Mexico 2019)
    • Gumshoe (UK 1971)
    • Mid-August Lunch (Pranzo di ferragosto, Italy 2008)
    • The Lady and the Mob (US 1939)
    • The Adventures of Sherlock Holmes (US 1939)

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