The Case for Global Film

The Case for Global Film

Films from everywhere and every era
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Rona

Posts

  • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017) October 18, 2018
  • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980) March 19, 2018
  • Dark River (UK 2017) February 25, 2018
  • Chantal Akerman: No Home Movie (Belgium-France 2015) June 24, 2016
  • Further thoughts on Phoenix (Germany 2014) June 8, 2015
  • Notes on Screen Acting: Jessica Chastain April 21, 2015
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Recent Posts

  • ¡Viva! 27, Spanish and Latin American Festival 2021
  • The Assassination Bureau (UK 1969)
  • The Human Voice (La voz humana, Spain 2020)
  • The State I Am In (Die innere Sicherheit, Germany 2000)
  • Jimmy P: Psychotherapy of a Plains Indian (France 2013)
  • Undine (Germany-France 2020)

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Recent Comments

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  • Roy Stafford on The State I Am In (Die innere Sicherheit, Germany 2000)
  • tensecondsfromnow on The State I Am In (Die innere Sicherheit, Germany 2000)
  • Matt on Undine (Germany-France 2020)
  • Roy Stafford on Shiva Baby (US 2020)
  • john David hall on Shiva Baby (US 2020)

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  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hong Kong cinema Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Hebden Bridge Picture House Centenary
    • Menelik Shabazz 1954 to 2021
    • Alice Guy Blaché at the Kennington Bioscope
    • Friese-Greene at the Bioscope
    • International Satyajit Ray Congress
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • ¡Viva! 27, Spanish and Latin American Festival 2021
    • The Assassination Bureau (UK 1969)
    • The Human Voice (La voz humana, Spain 2020)
    • The State I Am In (Die innere Sicherheit, Germany 2000)
    • Jimmy P: Psychotherapy of a Plains Indian (France 2013)

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