The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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Rona

Posts

  • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017) October 18, 2018
  • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980) March 19, 2018
  • Dark River (UK 2017) February 25, 2018
  • Chantal Akerman: No Home Movie (Belgium-France 2015) June 24, 2016
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  • State of the Union (UK 2019)
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  • The Cremator (Spalovac mrtvol, Czechoslovakia 1969)
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  • Not Just Bollywood: Deepa Mehta’s ‘Elements Trilogy’
  • The Levelling (UK 2016)

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  • nicklacey on The Levelling (UK 2016)

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  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

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Film and Media Education since 1990

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Cinemalibero: FESPACO 1969 – 2019
    • Film from 1919 at Il Cinema Ritrovato
    • D. A. Pennebaker, 1925 to 2019
    • Rear Window (US 1954)
    • Pavilion: Artists on Film
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • Bait (UK 2019)
    • The Cremator (Spalovac mrtvol, Czechoslovakia 1969)
    • The Levelling (UK 2016)
    • Larks on a String (Skrivánci na niti,, 1969 Czechslovakia)
    • The Shop on the High Street (Obchod na korze Czechoslovakia, 1965)
  • Roy Stafford
    • State of the Union (UK 2019)
    • A Hill in Korea (UK 1956)
    • Not Just Bollywood: Deepa Mehta’s ‘Elements Trilogy’
    • Literary critics and the cinema
    • Pain and Glory (Dolor y gloria, Spain 2019)

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