The Case for Global Film

The Case for Global Film

Discussing everything that isn't Hollywood (and a little that is)
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keith1942

Film lover, Marxist and regular dog walker.

Posts

  • A survey worth completing June 15, 2019
  • Kimuak – Basque Short Films June 10, 2019
  • The Austrian Short Film Festival May 27, 2019
  • The Fifth Nitrate Picture Show May 22, 2019
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Recent Posts

  • Ek Ladki Ko Dekha Toh Aisa Laga (How I Felt When I Saw That Girl, India (Hindi) 2019)
  • A survey worth completing
  • Maborosi (Maboroshi no hikari, Japan 1995)
  • Where Hands Touch (UK 2018)
  • Kimuak – Basque Short Films
  • An Autumn Afternoon (Sanma no aji, Japan 1962)

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Recent Comments

  • john David hall on Sunset (Napszállta, Hungary-France 2018)
  • keith1942 on A survey worth completing
  • Roy Stafford on A survey worth completing
  • Prue Chennells on A survey worth completing
  • keith1942 on An Autumn Afternoon (Sanma no aji, Japan 1962)
  • john David hall on Walter Presents: Code 37, Sex Crimes (Belgium 2009)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Latin American Cinema Melodrama People Politics on film Romance Spanish Cinema

#GFF19 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF16 GFF18 Glasgow FF15 Hebden Bridge Picture House Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Leeds International Film Festival LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire Satyajit Ray science fiction Second World War social realism thriller war film war movie youth picture ¡Viva!

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • A survey worth completing
    • Kimuak – Basque Short Films
    • The Austrian Short Film Festival
    • The Fifth Nitrate Picture Show
    • Peter Chandley, 1953 to 2018
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • It’s Only the End of the World (Juste la fin du monde, Canada-France 2016)
    • The Party and the Guests (O slavnosti a hostech Czechoslovakia, 1966)
    • An Introduction to Pan’s Labyrinth (El laberinto del fauno Spain-Mexico-USA, 2006)
    • A Kind of Loving (UK 1962)
    • Beauty and the Dogs (Aala Kaf Ifrit Tunisia-France-Sweden-Norway-Lebanon-Qatar-Switzerland, 2017)
  • Roy Stafford
    • Ek Ladki Ko Dekha Toh Aisa Laga (How I Felt When I Saw That Girl, India (Hindi) 2019)
    • Maborosi (Maboroshi no hikari, Japan 1995)
    • Where Hands Touch (UK 2018)
    • An Autumn Afternoon (Sanma no aji, Japan 1962)
    • Sunset (Napszállta, Hungary-France 2018)

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