The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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keith1942

Film lover, Marxist and regular dog walker.

Posts

  • Le Giornate del Cinema Muto 2019 October 20, 2019
  • Cinemalibero: FESPACO 1969 – 2019 September 3, 2019
  • Film from 1919 at Il Cinema Ritrovato August 20, 2019
  • D. A. Pennebaker, 1925 to 2019 August 11, 2019
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Recent Posts

  • (The) Next of Kin (UK 1942)
  • LFF 2019 #11: The Two Popes (UK-Italy-Argentina-US 2019)
  • LFF 2019 #10: The Aeronauts (UK-US 2019)
  • Judy (UK 2019)
  • Le Giornate del Cinema Muto 2019
  • LFF 2019 #9: Koko-di Koko-da (Sweden-Denmark 2019)

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Recent Comments

  • john David hall on LFF 2019 #9: Koko-di Koko-da (Sweden-Denmark 2019)
  • john David hall on London Film Festival 2019 Preview
  • john David hall on Ad Astra (US-China 2019)
  • keith1942 on Ad Astra (US-China 2019)
  • keith1942 on Rue cases-nègres (Black Shack Alley, Martinique-France 1983)
  • Roy Stafford on Bait (UK 2019)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Latin American Cinema Melodrama People Politics on film Romance Spanish Cinema

#GFF19 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 Hebden Bridge Picture House Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Kore-eda Hirokazu Kurosawa Akira Leeds International Film Festival LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Le Giornate del Cinema Muto 2019
    • Cinemalibero: FESPACO 1969 – 2019
    • Film from 1919 at Il Cinema Ritrovato
    • D. A. Pennebaker, 1925 to 2019
    • Rear Window (US 1954)
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • LFF 2019 #11: The Two Popes (UK-Italy-Argentina-US 2019)
    • LFF 2019 #10: The Aeronauts (UK-US 2019)
    • LFF 2019 #9: Koko-di Koko-da (Sweden-Denmark 2019)
    • LFF 2019 #4: Monsoon (UK 2019)
    • LFF 2019 #3: The Valley (Italy-France 2019)
  • Roy Stafford
    • (The) Next of Kin (UK 1942)
    • Judy (UK 2019)
    • LFF 2019 #8: Made in Bangladesh (Bangladesh-France-Denmark-Portugal 2019)
    • LFF 2019 #7: Wet Season (Singapore-UK 2019)
    • LFF 2019 #6: Talking About Trees (Sudan-France-Chad-Germany-Qatar 2019)

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