The Case for Global Film

The Case for Global Film

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keith1942

Film lover, Marxist and regular dog walker.

Posts

  • The Leeds Palestinian Film Festival 2020 November 17, 2020
  • Sean Connery 1930 to 2020 November 14, 2020
  • Kirk Douglas 1916 to 2020 August 19, 2020
  • Ennio Morricone, 1928 to 2020 July 14, 2020
  • Michel Piccoli, actor 1925 to 2020 June 18, 2020
  • Albert Finney 1936 to 2019 May 10, 2020
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Recent Posts

  • Yellow Canary (UK 1943)
  • The Leeds Palestinian Film Festival 2020
  • Returning to: The Ground Beneath My Feet (Der Boden unter den Füßen, Austria 2019)
  • Sean Connery 1930 to 2020
  • Queen of Hearts (Dronningen, Denmark-Sweden 2019)
  • DNA (Denmark-France 2019) – some initial thoughts

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Recent Comments

  • Roy Stafford on Yellow Canary (UK 1943)
  • christinegeraghty on Yellow Canary (UK 1943)
  • keith1942 on Returning to: The Ground Beneath My Feet (Der Boden unter den Füßen, Austria 2019)
  • Roy Stafford on John Ford #4: Three Godfathers (US 1948)
  • keith1942 on John Ford #4: Three Godfathers (US 1948)
  • Maggie on A Boy, a Girl and a Bike (UK 1949)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 home front drama Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Leeds International Film Festival LIFF 2018 long-form narrative migration neo-realism Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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  • Tsotsi (South Africa/UK 2005) – A narrative analysis
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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • The Leeds Palestinian Film Festival 2020
    • Sean Connery 1930 to 2020
    • Kirk Douglas 1916 to 2020
    • Ennio Morricone, 1928 to 2020
    • Michel Piccoli, actor 1925 to 2020
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Yellow Canary (UK 1943)
    • Returning to: The Ground Beneath My Feet (Der Boden unter den Füßen, Austria 2019)
    • Queen of Hearts (Dronningen, Denmark-Sweden 2019)
    • DNA (Denmark-France 2019) – some initial thoughts
    • John Ford #4: Three Godfathers (US 1948)

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