The Case for Global Film

The Case for Global Film

Films from everywhere
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keith1942

Film lover, Marxist and regular dog walker.

Posts

  • Friese-Greene at the Bioscope May 5, 2021
  • International Satyajit Ray Congress May 2, 2021
  • From ‘The Golden Age of Mexican Cinema’ April 6, 2021
  • Tanaka Kinuyo will not appear at Locarno March 13, 2021
  • Sansho the Bailiff (Sansho Dayu, Japan 1954) March 13, 2021
  • Daring Deeds (US 1927) January 24, 2021
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Recent Posts

  • Jerichow (Germany 2008)
  • Lights in the Dusk (Laitakaupungin valot, Finland-Germany-France-Italy-Sweden 2006)
  • Blood Relatives (Les liens du sang, Canada-France 1978)
  • Friese-Greene at the Bioscope
  • International Satyajit Ray Congress
  • Remaking The Mosquito Coast

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Recent Comments

  • Roy Stafford on Jerichow (Germany 2008)
  • Matt on Jerichow (Germany 2008)
  • petsheltalktalknet on Three Clear Sundays (UK 1965)
  • keith1942 on Blood Relatives (Les liens du sang, Canada-France 1978)
  • Roy Stafford on Blood Relatives (Les liens du sang, Canada-France 1978)
  • tensecondsfromnow on Blood Relatives (Les liens du sang, Canada-France 1978)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hong Kong cinema Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Friese-Greene at the Bioscope
    • International Satyajit Ray Congress
    • From ‘The Golden Age of Mexican Cinema’
    • Tanaka Kinuyo will not appear at Locarno
    • Sansho the Bailiff (Sansho Dayu, Japan 1954)
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Jerichow (Germany 2008)
    • Lights in the Dusk (Laitakaupungin valot, Finland-Germany-France-Italy-Sweden 2006)
    • Blood Relatives (Les liens du sang, Canada-France 1978)
    • Remaking The Mosquito Coast
    • Thou Shalt Not Hate (Non odiare, Italy-Poland 2020)

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