The Case for Global Film

The Case for Global Film

Films from everywhere and every era
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keith1942

Film lover, Marxist and regular dog walker.

Posts

  • Charles Laughton A Filmography, 1928 – 1962 January 3, 2022
  • Pandora’s Box, (Die Büchse der Pandora, 1929) November 23, 2021
  • Whither Sight & Sound? September 27, 2021
  • Hebden Bridge Screen Heritage September 3, 2021
  • Hebden Bridge Picture House Centenary July 10, 2021
  • Menelik Shabazz 1954 to 2021 July 6, 2021
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Recent Posts

  • Train of Events (UK 1949)
  • Fallen Angel (US 1945)
  • Crazy Rich Asians (US 2018)
  • It Must Be Heaven (France-Germany-Canada-Turkey-Qatar-Palestine 2019)
  • Highlights of home spectatorship in 2021
  • Being the Ricardos (US 2021)

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Recent Comments

  • John Hall on Corporate (France 2017)
  • Roy Stafford on Highlights of home spectatorship in 2021
  • christinegeraghty on Highlights of home spectatorship in 2021
  • john David hall on Highlights of home spectatorship in 2021
  • john David hall on Censor (UK 2021)
  • Roy Stafford on Censor (UK 2021)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism Nouvelle vague polar police procedural political cinema political thriller psychological thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Top Posts

  • Hero (China/Hong Kong 2002) – Narrative analysis
  • Tsotsi (South Africa/UK 2005) – A narrative analysis
  • Rabbit-Proof Fence (Australia 2002)
  • Train of Events (UK 1949)
  • An Introduction to Pan’s Labyrinth (El laberinto del fauno Spain-Mexico-USA, 2006)
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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Charles Laughton A Filmography, 1928 – 1962
    • Pandora’s Box, (Die Büchse der Pandora, 1929)
    • Whither Sight & Sound?
    • Hebden Bridge Screen Heritage
    • Hebden Bridge Picture House Centenary
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Train of Events (UK 1949)
    • Fallen Angel (US 1945)
    • Crazy Rich Asians (US 2018)
    • It Must Be Heaven (France-Germany-Canada-Turkey-Qatar-Palestine 2019)
    • Highlights of home spectatorship in 2021

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