The Case for Global Film

The Case for Global Film

Films from everywhere and every era
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Monthly Archives: December, 2020

  • The Hill (UK-US 1965) December 28, 2020
  • Lessons of Love (Italy 2019) December 27, 2020
  • A seasonal treat at the Kennington Bioscope December 24, 2020
  • Motherland (Gimtine, Lithuania-Latvia-Germany-Greece 2019) December 21, 2020
  • De Palma (US 2015) December 20, 2020
  • L’atelier (The Workshop, France 2017) December 16, 2020
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Film and Media Education since 1990

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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Whither Sight & Sound?
    • Hebden Bridge Screen Heritage
    • Hebden Bridge Picture House Centenary
    • Menelik Shabazz 1954 to 2021
    • Alice Guy Blaché at the Kennington Bioscope
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Bank Holiday (UK 1938)
    • New Order (Mexico-France 2020)
    • Giant Little Ones (Canada 2018)
    • Wife of a Spy (Supai no tsuma, Japan 2020)
    • Alice et le maire (Alice and the Mayor, France 2019)

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