The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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Daily Archives: 11 September, 2019

  • The Cremator (Spalovac mrtvol, Czechoslovakia 1969) September 11, 2019
  • A Hill in Korea (UK 1956) September 11, 2019

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Recent Posts

  • Monos (Colombia-Argentina-Netherlands-Germany-Sweden-Uruguay-USA-Switzerland-Denmark 2019)
  • The Irishman (US 2019)
  • LIFF 2019 #12: Wênd Kûuni (Le don de dieu, God’s Gift, Upper Volta 1982)
  • LIFF 2019 #11: System Crasher (Systemsprenger Germany, 2019)
  • LIFF 2019 #10: Calm with Horses (UK-Ireland 2019)
  • The Report (US 2019)

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Recent Comments

  • keith1942 on LIFF 2019 #8: Osaka Elegy (Naniwa erejî, Japan 1936)
  • keith1942 on LIFF 2019 #12: Wênd Kûuni (Le don de dieu, God’s Gift, Upper Volta 1982)
  • keith1942 on LIFF 2019 #8: Osaka Elegy (Naniwa erejî, Japan 1936)
  • Roy Stafford on LIFF 2019 #8: Osaka Elegy (Naniwa erejî, Japan 1936)
  • keith1942 on LIFF 2019 #8: Osaka Elegy (Naniwa erejî, Japan 1936)
  • john David hall on LIFF 2019 #7: House of Hummingbird (Beol sae, South Korea 2019)

Pages

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  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Latin American Cinema Melodrama People Politics on film Romance Spanish Cinema

#GFF19 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 Hebden Bridge Picture House home front drama Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Leeds International Film Festival LFF2019 LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social realism thriller war film war movie youth picture ¡Viva!

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Palestinian Cinema in Leeds
    • The New Pictureville
    • Le Giornate del Cinema Muto 2019
    • Cinemalibero: FESPACO 1969 – 2019
    • Film from 1919 at Il Cinema Ritrovato
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • Monos (Colombia-Argentina-Netherlands-Germany-Sweden-Uruguay-USA-Switzerland-Denmark 2019)
    • The Irishman (US 2019)
    • LIFF 2019 #11: System Crasher (Systemsprenger Germany, 2019)
    • LIFF 2019 #10: Calm with Horses (UK-Ireland 2019)
    • The Report (US 2019)
  • Roy Stafford
    • LIFF 2019 #12: Wênd Kûuni (Le don de dieu, God’s Gift, Upper Volta 1982)
    • LIFF 2019 #8: Osaka Elegy (Naniwa erejî, Japan 1936)
    • LIFF 2019 #7: House of Hummingbird (Beol sae, South Korea 2019)
    • LIFF 2019 #6: Moffie (South Africa-UK 2019)
    • LIFF 2019 #4: The Realm (The Candidate, El reino, Spain 2018)

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