The number of film screenings in cinemas fell for me this year. I think that was mainly due to the lack of diversity in the local screenings available and the unfortunate timings of some of the festivals I usually try to attend. It’s true that I did spend more time on the streaming site MUBI (although recently I’ve been very disappointed at the range of films on offer) and also on YouTube catching up with classic Hollywood. I’ve also spent time watching Talking Pictures TV, perhaps the best thing that has happened to UK Freeview television in the last few years.
The rise of Netflix and Amazon as general film and TV streaming sites is increasingly problematic for me, though I recognise that my friends are getting to see a wider range of films, especially if their local cinema scene is even worse than mine. However, the recent furore over the (very) limited cinema screenings of Roma and other Netflix productions is very disturbing. The BBC offered us both Mark Kermode and Neil Brand on BBC4 in 2018, focusing on questions of genre and music in film/film musicals. Both series were intelligently produced and presented by an experienced film journalist and practitioner respectively, both whom are passionate and enthusiastic. That must be a plus. BBC1 have just announced that its Film programme (which usually just took the year as the second part of its title) has been axed. Film 2018 coughed its last some time ago in that dishonourable way that schedulers employ – pushing a programme later and later in the schedule until what’s left of its audience have no idea where it is. We are promised something new on both broadcast and online BBC platforms in 2029. Is it too much to hope that BBC executives will learn from Kermode and Brand?
Here is a list of some of the films that I found most interesting and enjoyable this year. If there are titles missing that you expect to be there, it probably means that I haven’t seen them (e.g. those by Ceylan and McQueen). I’ve listed the films in alphabetical order so there are no preferences displayed. The only title we haven’t blogged about on this site is The Hate U Give which I hope to revisit when the DVD appears in 2019. I saw it with Nick and we were both stunned by its impact and therefore in a year when African-American cinema saw a resurgence, it deserves a mention. Happy as Lazzaro should get a UK release in the Spring but I’m not hopeful for Winter Flies – East European films seem to be very hard to sell to UK cinemas.
I saw six of the films here at festivals, but four of them were subsequently released in the UK. All the films in the list were screened at least once in a UK cinema in 2018.
In 2018 I was also pleased to be prompted to explore the career of Ida Lupino as actor/writer/producer and director – thanks Glasgow Film Festival. I was also pleased to celebrate Agnès Varda’s career watching Le bonheur (France 1965) and L’Une chante, l’autre pas (France 1977) on DVD as well as Faces Places. On the negative side I didn’t see any standout British films or Chinese Language films this year. Many British independent films are increasingly difficult to see and Chinese independent films are similarly hard to find. Six out of fifteen the films here are directed by women.
Cold War (Poland-France-UK 2018)
Faces Places (France 2017)
A Fantastic Woman (Chile-Germany-Spain-US 2017)
Happy as Lazzaro (Italy-Germany-Switz-France 2018)
The Hate U Give (US 2018)
Leave No Trace (US 2018)
Lucky (US 2017)
Mukkabaaz (India 2017)
The Rider (US 2017)
Roma (Mexico-US 2018)
Shoplifters (Japan 2018)
Sweet Country (Australia 2017)
Wajib (Palestine-France-UAE-Columbia-Qatar-Germany-Norway 2017)
Winter Flies (Czech Republic-Slovakia-Slovenia-France-Poland 2018)
Zama (Argentina-Spain-France-Netherlands-Mexico 2017)
I fear for the diversity of films on offer in 2019. I hope I’m wrong but I think finding foreign-language films may become more difficult.