I thought from the opening images of this film, beneath the credits, that I would enjoy this film. The CinemaScope images are nicely composed by Hunter Robert Baker and show us farmland and the local high school in Pondley, Illinois in 1999. For a UK viewer this announces small town life in the Mid-West. It’s early morning (6.39 AM) and 17 year-old Miles is on his computer with headphones for music from his Discman. Through a dial-up connection he’s looking for some action in a chatroom. His mother wakes and makes breakfast. Later we discover that his mother is the English teacher in the town high school and Miles, entering his senior year, is in her class. So this is going to be a teenpic, a high school film in a rural setting? (I thought of Election (US 1999) set in Omaha.) Well, yes, it is and then again, no, it isn’t.
The central conflict in the narrative is that Miles is determined to get a college place in Chicago, but circumstances mean that he doesn’t have access to the money for the fees charged by the prestigious film school he wants to join. The only option appears to be winning a scholarship and the one he finds is a sports scholarship. But the only sport that Miles is good at is volleyball. The school only has a girls’ volleyball team, so he applies for that. Miles is gay, but in this narrative that isn’t an issue. The biggest problem for Miles is that he is determined to leave the one-horse town (as he sees it) where people become zombies, accepting a dull life. The practical problem is that Miles is good at volleyball and when he gets on the team, they win too easily and parents in the district complain about their daughters having to compete against a boy.
Generically, we have a ‘sports movie’ hybridising with a high school pic. We don’t have a teen romantic comedy, but we do have a situation in which Miles’ mom sees her future as to some extent tied up with Miles being on the girls’ team. The film is announced as ‘inspired by a true story’ and may indeed be partly autobiographical for writer-director Nathan Adloff. Miles (skilfully played by Tim Boardman on his début) is not a tortured soul as a gay teenager and he takes inspiration and re-assurance from his online friend in the chatroom. We only see him in class on one occasion and the girls on the volleyball team are supportive, as is the coach (Missi Pyle). There is a limited negative response from some boys. The narrative manages to weave the story of Miles’ mum Pam (as played by veteran TV and film actor Molly Shannon) into Miles’ story. I enjoyed everything about the film up until the final section. The story had great potential but somehow it doesn’t quite make the last step into something really memorable. Ends get tied up with no real explanation. There is a high school graduation which would usually suggest the ending to a high school pic, but it’s a bit low-key here. There is a personal ending for Miles and for Pam (and possibly for the coach of the team) and in a sense, as one reviewer has suggested, there is a quasi-Disney ‘happy ending’ all round.
I’m a bit torn by the film. It isn’t the kind of realist drama the credit sequence promised. It did occur to me that some might find Miles too self-obsessed but more importantly, I think, the film is different in making its gay teenager someone who just gets on and does what he thinks he has to do. I’m not the gay audience but I note that the film has been successful at various LGBTQ festivals winning top prizes and ‘audience awards’. There is a sense of injustice in the reactions to Miles on the girls’ team but that sense of ‘rebellion’, often represented by music, fashion and other elements of youth culture isn’t really there. Miles argues that the state allowed a girl onto the boys’ team, so why not the other way round? In some ways the film is too sensible – only Pam gets really silly. Still, it’s good to see a film about a teenage boy and his mum.
Miles is now available on DVD from Matchbox films – click on the cover below for the Amazon page: