This was my third visit to Glasgow Film Festival as a punter. It’s an ambitious festival with a strong local-global feel. It appeals to its local audience with a diverse range of events and activities, often linked to screenings of well-loved Hollywood films. There is also a focus on Scottish filmmakers – writers, directors, stars and their films and in the last couple of years a new ‘Industry’ strand supporting Scottish filmmaking. But it also celebrates the heritage of Glasgow Film Theatre with a similarly diverse range of foreign language films with directors and stars offering Q&As for some events. It’s this last strand that tends to be the focus for this blog.
Festival co-directors Allison Gardner and Alan Hunter work hard to find films at other international festivals and via their networks and contacts. I’m conscious this year that the range of films on offer felt different but I know that often this is dependent on what is picked up by sales agents or major distributors and then what is selected for Berlin, Cannes, Venice and Toronto. I usually hope to visit for three or four days, seeing between two and four films a day so any kind of overview is more about reading the brochure than what I’ve actually seen.
This year, the same sad trends are in evidence across the festival programme as I’ve noted at Leeds and London in recent years – the gradual shrinkage of the range of films available from Africa and Asia. I couldn’t find a single African or Indian film. Glasgow is one of the centres for the Africa in Motion festival later in the year, but the Indian cinema problem is I think as much to do with the failure of the distributors of Indian independent films to get involved in international distribution. This year, Glasgow did highlight Irish films and ‘Baltic’ films in two of its strands as well as casting a wide net for other strands such as Documentary, FrightFest and ‘Pioneer’ (first-time directors).
My usual 3/4 days expanded to six this year because of the weather which prevented me leaving by train. Unfortunately the snow was so bad that parts of the festival closed down completely and I was faced with only a limited programme on my extra couple of days. I must praise the staff at GFT for re-opening on the Thursday 1st March after struggling to get in to work. As co-director Allan Hunter quipped, the Blitz spirit was abroad on Rose Street. I think I ended up seeing more films than usual that have already or are soon about to open on general release. I also probably saw more archive prints. My highlights of the festival were therefore Sweet Country and Zama and, a revelation, the three films I managed from the Ida Lupino retrospective. I hope to be back in Glasgow next year – perhaps better prepared for ‘Red’ snow warnings!