I enjoyed this second Dick short story adaptation much more than the first. If it had been on BBC4 without the annoying ad breaks it would have been perfect. This slight story, like The Hood Maker written in 1953, is a deep space narrative set far into the future. Irma, a very old woman (played by Geraldine Chaplin as a 342 year-old) visits a travel company in deep space wanting to make one last trip before she dies. The only problem is that she wants to go to Earth – now widely regarded as a mythical place, or at least one which can’t be traced in the records (it’s now the 25th century). The two travel agency men (Benedict Wong and Jack Reynor) decide to take the large sum of money Irma has saved and give her what she wants. To do this, they find the nearest Earth-like planet on the database and set off with her.
The narrative here works because writer-direct David Farr retains Dick’s original structure and his characters. All he changes is the narrative resolution, fleshing out the relationships between the characters to make the ending work effectively. Dick’s ten pages might have made a 30 minute story but the additions work to fill the 50+ minutes of Electric Dreams very well. The resolution does change the narrative – making it both more romantic but also leaving it open-ended. Interestingly it’s Dick’s ending that would seem more ‘timely’ today, but that doesn’t mean the new ending fails. This production is less ambitious and more successful than the first episode of the series. In some ways it reminds us of the comedy series like Red Dwarf or perhaps early Star Trek, where the interest is in the relationships between characters rather than in actions or special effects. The portrayal of the travel company and its ‘constructed’ viewing experiences of the stars in the galaxies is very Dickian.
Next week we get Timothy Spall in an adaptation of a short story I do remember reading years ago – ‘The Commuter’, written in 1952. This is a real SF story set in the present – in which something mundane but disturbing happens. The first three adaptations are all from the Collected Stories of Philip K. Dick Vol 2. Second Variety which also includes the stories used for the film adaptations Screamers, Imposter and The Adjustment Bureau (one of the more interesting adaptations). I haven’t yet checked out the other episode titles, but these early stories may be the easiest to acquire for rights or, because many are short, the most attractive for contemporary writers to adapt.