This blog isn’t too concerned about US TV series, but we are interested in co-productions, particularly when they involve the work of Phil K. Dick, a literary hero for many in Europe. A new season of 10 x 60 mins shows, each offering an adaptation of a Dick short story, starts on Channel 4 in the UK on Sunday. Electric Dreams is co-produced by Channel 4 and Sony Television and I hope that it turns out to be as good as the two series of Humans (US-UK 2015-16). Following that opening will be the release of Blade Runner 2049 in October. At the same time, Amazon Prime is running the second series based on Dick’s classic novel The Man in the High Castle.
Dick was actively writing for three decades from the early 1950s to the early 1980s and he died aged only 53 a few months before the release of Blade Runner, the film which arguably introduced him to a world beyond the then relatively small group of SF/science fiction readers of his novels and short stories. For a long time Dick was idolised by only a coterie of SF fans and fellow writers and a similarly small group of academic scholars and avant-garde writers. When Hollywood discovered Dick, he wasn’t immediately popular (partly because he was soon deceased) but gradually the number of film adaptations grew and 65 years after he first began to publish short stories he is now a key figure. I’ll declare myself as one of those SF fans from the late 1960s and I’m still waiting for a really satisfying film adaptation (which, for me, Blade Runner isn’t). I’ve seen only part of one episode of Amazon’s The Man in the High Castle and so I can’t comment on that, but often it has seemed to me that the films which are ‘Dickian’ in concept are often better than those which are official adaptations. I await Electric Dreams with trepidation.
The real question is why does Dick’s work still appeal in 2017? I think it’s partly because his fiction is about ideas primarily and that his concerns, partly fuelled by his own paranoia have proved to be remarkably prescient. For instance, it wouldn’t be too difficult to go back through Dick’s work and find references to TV celebrities and android politicians. Donald Trump-style US presidents and ‘fake news’, information gathering by robots, invasions of privacy etc. were all being discussed by Dick in the 1940 or 50 years ago.
The first episode of Electric Dreams is based on ‘The Hood Maker’, a short story written in January 1953 and originally titled ‘Immunity’. It first appeared in a magazine called Imagination in 1955. My copy is included in Volume 2 of The Collected Stories of Philip K. Dick: Second Variety, first published in the UK in 1989. I don’t know how much of the 15 page story is used in the new adaptation and I don’t want to ‘spoil’ the thrill of watching this first story in the 10 part ‘anthology’ of short stories. I will however whet your appetite by telling you that on page one of the story, an old man on the street is attacked by a youth who lifts the man’s hat and removes a metal band round the old man’s head. He announces to the crowd forming around him that the old man is ‘another one’ resisting the probe. A crowd forms and a robot police car arrives. Two robot cops disperse the crowd and usher the old man into a building. The youth delivers the ‘hood’ – the metal band – to the Clearance Corporation. He’s a ‘teep’ – a telepathic mutant. Well, I’m hooked. All of this makes sense in a world where possibly the majority of people carry mobile phones which are always on and always broadcasting where they are and what they are doing. I feel like some kind of anarchist because my phone isn’t switched on and I’ve blocked all the location finding software etc. Perhaps soon I’ll be attacked for not conforming? Welcome to the Dickian universe!
‘The Hood Maker’ is directed by Julian Jarrold, a near veteran of British film and TV who I remember best for his contribution to the Red Riding Trilogy on Channel 4 in 2009. It also features Holliday Grainger in a lead role and she will have the honour of appearing in two primetime TV shows at the same time, since she is currently the main reason why I am watching the adaptation of the J.K. Rowling crime fiction stories Strike on BBC1. Both series air at 9pm.