The Case for Global Film

The Case for Global Film

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Monthly Archives: March, 2017

  • Caravaggio (UK 1986) March 31, 2017
  • Elle (France-Germany-Belgium 2016) March 29, 2017
  • 23rd ¡Viva! Festival at HOME, Manchester, 31 March-17 April March 27, 2017
  • Kelly Reichardt’s Certain Women and the ‘twilight Western’ March 26, 2017
  • A C20th ‘rotten borough’? March 26, 2017
  • The Age of Shadows (South Korea 2016) March 25, 2017
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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Alice Guy Blaché at the Kennington Bioscope
    • Friese-Greene at the Bioscope
    • International Satyajit Ray Congress
    • From ‘The Golden Age of Mexican Cinema’
    • Tanaka Kinuyo will not appear at Locarno
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Amazon and MGM
    • Tie Me Up! Tie Me Down! (¡Átame!, Spain 1989)
    • Once Were Brothers: Robbie Robertson and The Band (Canada 2019)
    • The Goddess and the Hero (Devi Aur Hero, Hindi, India 2019)
    • Kansas City Confidential (US 1952)

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