Ten Titles that Shook the World of Film

soviet-directors

Welcome to 2017 in which we celebrate the centenary of the Great October Revolution. One film that both recorded and dramatised that shock was Sergei Eisenstein’s film of the historic event, Oktyabr (Ten Days That Shook the World 1928).

Other key films from the Soviet Montage Movement include

The New Babylon (Novyy Vavilon 1929) directed by Grigori Kozintsev and  Leonid Trauberg. A powerful dramatisation of the historic Paris Commune of 1871: a forerunner for the October Revolution.

Mother (Mat 1926)  directed by Vsevolod Pudovkin. Set during the Russian Revolution of 1905 and based on the 1906 novel ‘The Mother’ by Maxim Gorky.

The Fall of the Romanov Dynasty (Padenie dinastii Romanovykh 1927) a seminal compilation documentary written and directed by Esfir Shub recording the years from the 300th anniversary of the Romanov imperial reign to its demise in 1917.

The Girl with a Hatbox (Devushka s korobkoy 1927) directed by Boris Barnet and starring Anna Sten. The film satirises the ‘Nepmen’, entrepreneurs who were allowed to conduct commercial business during the New Economic Policy of the 1920s.

Bed and Sofa (Tretya meshchanskaya 1927) directed by Abram Room and finding comedy in the strains experienced as the Socialist Republics were transformed.

Man with a Movie Camera (Chelovek s kino-apparatom 1929) directed by Dziga Vertov and both celebrating and analysing Soviet Construction.

Old and New (Staroye i novoye 1929) directed by Sergei Eisenstein and the transformation of a village under collectivisation.

Earth (Zemlya 1930) directed by Aleksandr Dovzhenko and set during the collectivisation programme with resistance from the rich Kulaks [wealthy peasants].

Enthusiasm (Entuziazm / Simfoniya Donbassa 1931) directed by Dziga Vertov. A film celebrating Socialist Construction in the Don Valley of the Ukraine. Needs to be seen and heard with its original soundtrack rather than with live music.

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