The Case for Global Film

The Case for Global Film

Films from everywhere
  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

Daily Archives: 25 September, 2016

  • Adapting Highsmith #4: This Sweet Sickness (Dites-lui que je l’aime, France 1977) September 25, 2016

Translate

Recent Posts

  • LFF 2020 #7: Striding into the Wind (Ye Ma Fen Zong, China 2020)
  • LFF 2020 #6: Identifying Features (Sin señas particulares, Mexico-Spain 2020)
  • LFF 2020 #5: Shadow Country (Krajina ve stínu, Czech Republic 2020)
  • LFF 2020 #4: A Common Crime (Un crimen común, Argentina-Brazil-Switz 2020)
  • LFF 2020 #3: The Salt in Our Waters (Nonajoler Kabbo, Bangladesh-France 2020)
  • As I Open My Eyes (À peine p’ouvre les yeux, Tunisia-France-Bel-UAE-Switz 2015)

Categories

  • A Level Film and Media (16)
  • Afghan film (2)
  • African Cinema (62)
  • African-American Cinema (47)
  • American Independents (139)
  • Animation (27)
  • Anniversaries (6)
  • Arab Cinema (42)
  • Argentinian Cinema (30)
  • Australian Cinema (35)
  • Avant-garde cinema (10)
  • Belgian Cinema (19)
  • BFI (20)
  • Biopic (32)
  • Book Reviews (19)
  • box office (15)
  • Brazilian Cinema (14)
  • British Cinema (411)
  • Canadian Cinema (50)
  • Censorship (5)
  • Central Asia (1)
  • Chinese Cinema (96)
  • Cinematography (8)
  • Comedies (187)
  • Courses (3)
  • Day Schools (5)
  • Diaspora film (24)
  • Digital film (16)
  • Documentary (166)
  • Early film (7)
  • East Asian Cinema (17)
  • East European Cinema (78)
  • European Cinema (40)
  • Exhibitors (27)
  • Festivals and Conferences (637)
  • Film acting (6)
  • Film archives (8)
  • Film audiences (15)
  • Film awards lists (16)
  • Film culture (22)
  • Film distribution (27)
  • Film education (9)
  • Film exhibition (43)
  • Film history (15)
  • Film industry (38)
  • Film music (5)
  • Film Reviews (110)
  • Film theory (2)
  • Films about children (3)
  • Films by women (331)
  • Films for children (18)
  • French Cinema (273)
  • German Cinema (125)
  • Global television (50)
  • Hindi Cinema – Bollywood (2)
  • Hollywood (179)
  • Horror (65)
  • Indian Cinema (139)
    • Bengali Cinema (19)
    • Hindi Cinema (32)
    • Indian independent (39)
    • Malayalam cinema (2)
    • Tamil Cinema (17)
    • Urdu (1)
  • Iranian Cinema (27)
  • Irish Cinema (20)
  • Italian cinema (50)
  • Japanese Cinema (130)
  • Korean Cinema (30)
  • Latin American Cinema (83)
  • Literary adaptations (72)
  • Melodrama (360)
  • Mexican Cinema (30)
  • Musical (17)
  • Nordic Cinema (118)
    • Danish Cinema (46)
    • Finnish Cinema (7)
    • Icelandic Cinema (13)
    • Norwegian Cinema (11)
    • Swedish Cinema (51)
  • Novels (2)
  • One Hour Intros (1)
  • Pakistani Cinema (5)
  • Palestinian Cinema (23)
  • People (171)
    • Directors (129)
    • Stars (44)
  • Polish Cinema (35)
  • Politics on film (92)
  • Programmes (2)
  • Romance (130)
  • Russian cinema (24)
  • Short films (23)
  • Silent Era (36)
  • South East Asian Cinema (1)
    • Thai Cinema (1)
  • Soviet Cinema (15)
  • Spanish Cinema (84)
  • Sport on Film (24)
  • Swiss Cinema (5)
  • Taiwan Film (16)
  • Thai Cinema (2)
  • the Western (32)
  • Turkish Cinema (15)
  • TV (13)
  • Womens Film (59)

Recent Comments

  • Cinescope on LFF 2020 #1: Chess of the Wind (Shatranj-e baad, Iran 1976)
  • Roy Stafford on LFF 2020 #1: Chess of the Wind (Shatranj-e baad, Iran 1976)
  • Roy Stafford on LFF 2020 #1: Chess of the Wind (Shatranj-e baad, Iran 1976)
  • Cinescope on LFF 2020 #1: Chess of the Wind (Shatranj-e baad, Iran 1976)
  • Cinescope on African Cinema – as seen in the UK
  • Cinescope on The Terrorizers ( Kong bu fen zi, Taiwan 1986)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 home front drama Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Leeds International Film Festival LIFF 2018 migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,131 other followers

StatCounter

Web Analytics Made Easy - StatCounter

Film and Media Education since 1990

Blogroll

  • Early & silent cinema
  • Friends of the Hyde Park Picture House
  • Movie Mahal
  • Nick Lacey on films
  • Omar’s Film Blog
  • Reel Language
  • Talking Pictures
  • The Case for Global Film
  • The Global Film Book Blog
  • The Media Student's Book blog
  • The Seventh Art
  • Third Cinema Blog
  • Women's Film and TV History Network
  • WordPress.com
  • World Cinema Foundation

film academics and bloggers

  • Bigger Picture Research
  • Chinese Film Forum UK
  • CinemaScope
  • CinemaScream
  • Cultural Zeitgeist
  • David Bordwell’s Site
  • Dear Cinema
  • DinaView
  • Dynamics of World Cinema
  • Film Studies for Free
  • Indian Auteur
  • Jigsaw Lounge
  • Kinoblog
  • Racialicious
  • Strictly Film School
  • The Spinning Image
  • Third Cinema Website
  • Women in World Cinema
  • Women Make Movies

film education

  • Auteur Publications
  • BFI Screenonline
  • Into Film
  • Media Education Association
  • South Island School, HK: Media Wiki

film industry

  • Chinese Films
  • Cineuropa
  • CNC (French National Cinema Centre)
  • Czech Film Centre
  • Dgenerate films
  • Film Portal (Germany)
  • IBOS
  • Korean Film Council
  • Lumiere Database
  • Motion Pictures Producers of Japan
  • New Zealand Film Commission
  • Polish Film Institute
  • Screen Australia
  • Sign and Sight
  • Sisters in Cinema
  • Swedish Film Institute
  • Taiwan Cinema
  • UK Film Council
  • UniFrance
  • UniJapan – Portal for Japanese 'Moving Image' Industry

film journals

  • Cineaste
  • Film Comment
  • filmint
  • Framework
  • Jump Cut
  • Midnight Eye
  • MUBI
  • Offscreen
  • Screen
  • Senses of Cinema
  • Sight & Sound
  • Vertigo

Follow itpworld on Twitter

My Tweets

Top Posts

  • Tsotsi (South Africa/UK 2005) – A narrative analysis
  • Hero (China/Hong Kong 2002) – Narrative analysis
  • Blood of the Condor (Yawar Mallku, Bolivia, 1969)
  • LFF 2020 #7: Striding into the Wind (Ye Ma Fen Zong, China 2020)
  • LFF 2020 #3: The Salt in Our Waters (Nonajoler Kabbo, Bangladesh-France 2020)
  • Rabbit-Proof Fence (Australia 2002)

Admin

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blog Stats

  • 1,513,489 hits

Recent visitor flags

Free counters!
September 2016
M T W T F S S
 1234
567891011
12131415161718
19202122232425
2627282930  
« Aug   Oct »

Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Kirk Douglas 1916 to 2020
    • Ennio Morricone, 1928 to 2020
    • Michel Piccoli, actor 1925 to 2020
    • Albert Finney 1936 to 2019
    • Max von Sydow 1929 to 2020
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • LFF 2020 #7: Striding into the Wind (Ye Ma Fen Zong, China 2020)
    • LFF 2020 #6: Identifying Features (Sin señas particulares, Mexico-Spain 2020)
    • LFF 2020 #5: Shadow Country (Krajina ve stínu, Czech Republic 2020)
    • LFF 2020 #4: A Common Crime (Un crimen común, Argentina-Brazil-Switz 2020)
    • LFF 2020 #3: The Salt in Our Waters (Nonajoler Kabbo, Bangladesh-France 2020)

Archives

Networked Blogs

Follow this blog
Blog at WordPress.com.