The Case for Global Film

The Case for Global Film

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Daily Archives: 25 September, 2016

  • Adapting Highsmith #4: This Sweet Sickness (Dites-lui que je l’aime, France 1977) September 25, 2016

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American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hong Kong cinema Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism Nouvelle vague polar police procedural political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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  • des1967
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    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
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    • Chantal Akerman: No Home Movie (Belgium-France 2015)
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    • Wife of a Spy (Supai no tsuma, Japan 2020)
    • Alice et le maire (Alice and the Mayor, France 2019)
    • Like Rabid Dogs (Come cani arrabbiati, Italy 1976)
    • Vigil (UK 2021)
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