The Case for Global Film

The Case for Global Film

Films from everywhere and every era
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Daily Archives: 19 August, 2016

  • Not Independent’s Day? August 19, 2016
  • The Confession: Living the War on Terror (UK 2016) August 19, 2016

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Recent Posts

  • Wife of a Spy (Supai no tsuma, Japan 2020)
  • Alice et le maire (Alice and the Mayor, France 2019)
  • Like Rabid Dogs (Come cani arrabbiati, Italy 1976)
  • Vigil (UK 2021)
  • Hebden Bridge Screen Heritage
  • Tove (Finland-Sweden 2020)

Categories

  • A Level Film and Media (16)
  • Afghan film (2)
  • African Cinema (64)
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  • American Independents (145)
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  • Avant-garde cinema (10)
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  • Brazilian Cinema (14)
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  • Central Asia (1)
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  • Festivals and Conferences (667)
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  • Politics on film (96)
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  • South East Asian Cinema (1)
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  • Soviet Cinema (15)
  • Spanish Cinema (92)
  • Sport on Film (25)
  • Swiss Cinema (6)
  • Taiwan Film (16)
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  • the Western (35)
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  • TV (13)
  • Womens Film (59)

Recent Comments

  • Jake on One Night (Hitoyo, Japan 2019)
  • keith1942 on Witness for the Prosecution (US 1957)
  • Roy Stafford on One Night (Hitoyo, Japan 2019)
  • Jake on One Night (Hitoyo, Japan 2019)
  • Roy Stafford on The State I Am In (Die innere Sicherheit, Germany 2000)
  • Matt on The State I Am In (Die innere Sicherheit, Germany 2000)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hong Kong cinema Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism Nouvelle vague polar police procedural political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • Hebden Bridge Screen Heritage
    • Hebden Bridge Picture House Centenary
    • Menelik Shabazz 1954 to 2021
    • Alice Guy Blaché at the Kennington Bioscope
    • Friese-Greene at the Bioscope
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Wife of a Spy (Supai no tsuma, Japan 2020)
    • Alice et le maire (Alice and the Mayor, France 2019)
    • Like Rabid Dogs (Come cani arrabbiati, Italy 1976)
    • Vigil (UK 2021)
    • Tove (Finland-Sweden 2020)

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