The Case for Global Film

The Case for Global Film

Films from everywhere
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Daily Archives: 11 August, 2016

  • Sweet Bean (An, Japan-France-Germany 2015) August 11, 2016
  • Hard Stop (UK-US 2015) August 11, 2016

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Recent Posts

  • Piero Vivarelli, Life as a B Movie (Italy 2019)
  • The Long Arm (UK 1956)
  • First Cow (US 2019)
  • Moving On (Nam-mae-wui yeo-reum-bam, South Korea 2019)
  • How to Be a Good Wife (La bonne épouse, France 2020)
  • The Shepherdess and the Seven Songs (Laila aur satt geet, India 2020)

Categories

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  • Avant-garde cinema (10)
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  • box office (15)
  • Brazilian Cinema (14)
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  • Central Asia (1)
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  • Festivals and Conferences (660)
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  • Global television (59)
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  • Indian Cinema (141)
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  • Politics on film (95)
  • Programmes (2)
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  • South East Asian Cinema (1)
    • Thai Cinema (1)
  • Soviet Cinema (15)
  • Spanish Cinema (85)
  • Sport on Film (24)
  • Swiss Cinema (6)
  • Taiwan Film (16)
  • Thai Cinema (2)
  • the Western (34)
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  • TV (13)
  • Womens Film (59)

Recent Comments

  • Ron on Roman Holiday (US 1953)
  • Roy Stafford on First Cow (US 2019)
  • Geoff Lealand on First Cow (US 2019)
  • john David hall on The Long Arm (UK 1956)
  • Roy Stafford on The Long Arm (UK 1956)
  • john David hall on The Long Arm (UK 1956)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Black British film Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 home front drama Hong Kong cinema Hyde Park Picture House Ken Loach Leeds International Film Festival long-form narrative migration My French Film Festival neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • Cerca de tu casa (Near Your Doorstep, Spain 2012)
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
  • keith1942
    • From ‘The Golden Age of Mexican Cinema’
    • Tanaka Kinuyo will not appear at Locarno
    • Sansho the Bailiff (Sansho Dayu, Japan 1954)
    • Daring Deeds (US 1927)
    • Satyajit Ray, May 2nd 1921 to April 23rd 1992
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • Piero Vivarelli, Life as a B Movie (Italy 2019)
    • The Long Arm (UK 1956)
    • First Cow (US 2019)
    • Moving On (Nam-mae-wui yeo-reum-bam, South Korea 2019)
    • How to Be a Good Wife (La bonne épouse, France 2020)

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