I’d heard many good things about Greta Gerwig and specifically about Frances Ha (US 2012) but so far I hadn’t seen any of her films. On this basis I decided to watch Maggie’s Plan. The smaller Cinema 2 at Cardiff’s Chapter Arts Centre was nearly full for an early evening show. Perhaps that isn’t surprising. Released through Sony Classics, Maggie’s Plan had what was once a standard specialised cinema release on 80 screens across the UK & Ireland and entered the Top 15 with a £100,000 on its first weekend. Is this an example of the new form of acceptable arthouse cinema for middle-class audiences in the UK?
Greta Gerwig is Maggie, a New York university teacher in her late twenties who has decided that she wants a baby, but doesn’t want a long-term lover/partner/husband because she doesn’t think she can sustain a long-term relationship. Her ‘plan’ involves self-insemination with sperm from a donor she knows but the plan is immediately jeopardised by a meeting with John, another teacher played by Ethan Hawke. He is in turn married to Julianne Moore as a Danish lecturer with a comedy European accent and hair drawn tightly back. Hawke’s teacher is an aspiring novelist teaching ‘ficto-critical anthropology’. His wife is rather more prestigious in the same field and she has tenure at Columbia plus a distinguished publications record. Maggie initially seeks to help him with his first novel. She has two close friends, Felicia and Tony, a couple with a small child who are ‘quirky’ in their behaviour but otherwise quite together and they are the foil for Maggie’s encounters with the Hawke/Moore characters.
The Hawke character immediately evokes his other author roles in Richard Linklater’s ‘Sunset’ trilogy (with Julie Delpy) and in Pawel Pawlikowski’s The Woman in the Fifth (France/UK/Poland 2011). In each case he is an American novelist, but unfortunately in Maggie’s Plan Rebecca Miller’s script and direction don’t manage to keep the usually excellent Hawke within bounds. His acting style doesn’t match that of Greta Gerwig and I found his character insufferable. Probably though it’s his playing against Julianne Moore who seems to be in another film entirely, over-playing manically, that is the real problem. Again Ms Moore is usually very good, so script and direction seem to be the issue.
There isn’t much plot in the film so the narrative relies on sharp dialogue and performances. Fortunately, Greta Gerwig fits her role well and she is always entertaining to watch. Her costumes – mostly sensible shoes and woollens are suitable for a New York winter. Sometimes they look a bit ‘clod-hoppy’ but mainly her engaging personality pulls her through. Not conventionally ‘beautiful’, Ms Gerwig is very attractive because she is at ease with her body and allows her personality to shine. She is at the centre of the comic moments for me, but reading other comments, I see that some find these scenes don’t work and that opinion is equally divided on the snappy dialogue. Maggie’s Plan is ‘clever’ but I don’t think it is ‘cool’ or ‘smart’ (i.e. in the way that films like Ghost World (US 2001) were once described because of their appeal to a specific demographic). It’s been variously described as an ‘indie rom-com’ and a ‘screwball comedy’. The latter seems some way off the mark to me. The film ends with the possibility of something slightly sentimental. I should add that there are children involved in the various relationships – all of whom are well-written and well-acted.
Maggie’s Plan appears to be a film more loved by critics than by the general audience (Rotten Tomatoes scores it 86% for critics as against 66% for audiences) – but perhaps more so by a specialised film audience. People around me certainly laughed, but often at gags that I didn’t find funny. Conversely, I smiled at moments which didn’t evoke laughter at all. I read that the film could be bracketed with Shakespearean comedies and Woody Allen – neither of which I can claim to know/enjoy. Maggie’s Plan is doing well at the box office and it certainly offers entertainment. I’ll definitely look for more Greta Gerwig performances, but perhaps I’ll avoid this kind of New York comedy.
The US trailer (which reveals the rest of the plot):