The title of this documentary in English is something like ‘Together and Blended’, but the official English title is Side by side, eye to eye, which doesn’t seem to mean quite the same. The second part refers to ‘El Mejunje’, a cultural centre/club based in a former hotel donated to the community by the Cuban government. The club offers children’s shows, rock concerts and other forms of light entertainment and it is also a meeting place for the local LGBTQ community in Santa Clara, a city of 250,000 people in Central Cuba.
Spanish director Nicolás Muñoz Avia has produced a 66 minute account of the club and its members divided into nine sections or ‘ingredients’ as the English subs call them. These refer in different ways to ideas about self-worth, relationships and community, expressed through titles like ‘self-love’, ‘mother’s love’, ‘lovesick’ etc. We are introduced to a range of characters, each of whom we see in observational mode with friends and family, but also as ‘witnesses’ to the activity of the club, speaking directly to camera. Finally, we get to see some of these characters performing in the clubs walled courtyard (see above). In addition, there are several more formal interviews with people who give us deeper background on the club. The image quality of the film is good. The soundtrack is a little rougher at times, but perfectly serviceable.
The various club members/visitors include a local trans performer who is the first officially elected local government representative of the community, a rock band and a dance band of older players, a couple of schoolgirls, an older lesbian couple and a local man who is an alcoholic and who relies on the club and community to look out for him. This latter episode involves ‘tough love’ by the club who ban the man for a week and urge him to clean up his act (club members have already cleaned out his room for him). There is another family group with some ‘issues’ about a feckless young man but on the whole this is not an exposé or a sensationalist reality TV type of documentary. Instead it is a relatively conventional doc about a cultural centre that gives potentially marginalised groups a social space. What was most striking for me was to see a portrait of Cuba without either tourists or the set agenda of many reports that always seem ready to criticise or undermine (this is especially true of some reports on the BBC and in the supposedly left-leaning Guardian newspaper). The documentary here stresses the official sanction/donation of the building and several of the organisers profess their solid support for the revolution, perhaps over-emphasising this when a performance takes place in front of the national flag and portraits of Fidel and Che (which don’t appear on other clips of the club on YouTube). On the other hand, when a revolutionary speech plays on the PA during a performance, the younger members of the audience look bemused or indifferent. It’s telling too that a young guy in a rock band tells us that he’s just spent all his money to keep his amp working. “What else can we do?” he says, “We just want to play our music”.
It’s good that this portrait of Cuban life doesn’t come to us from Havana (though the opening images do – the film starts on the Malecon) because it gives us a different sense of Cuban society. With recent visits by the Pope and Barack Obama, the question of Cuba’s future comes ever more into the spotlight, so I hope this film gets more outings in Europe and North America as well as Latin America. This was its official UK première – another first for ¡Viva!
Useful trailer (but no English subs):