My favourite films in 2015

Timbuktu

Timbuktu

This was quite a good year for new releases. The best, for me, were as follows: in the order that I saw them:

Selma USA 2014.

A model of what a biopic should be and combining intelligence with mainstream production values.

Mummy Canada 2014

The film’s intensity was increased by the use of an unusual aspect ratio.

Phoenix, Germany 2014

A great combination of noir and Kurt Weill.

Bande de Filles (Girlhood) France 2014

A pleasure to watch, but serious with it.

A Pigeon sat on a Branch and Reflected on Life (En duva satt på en gren och funderade på tillvaron) Sweden, Norway 2014.

The film manages to be both droll and surreal at the same time.

Timbuktu Mauritania 2014

The first intelligent film about jihadists and the best football sequence in years.

45 Years UK 2015

Slow, elegant and very complex: the acting performances of the year.

Taxi (Taxi Teheran) Iran 2015

Subversion was rarely so witty or so much fun.

The Assassin (Nie yin Niang) China, Taiwan, Hong Kong 2015

Slow and with a tricky plot, but visually and aurally stunning.

Carol USA 2015

What other praise than this is as good as the Patricia Highsmith original novel.

Best Animation:

Song of the Sea Eire 2014

Beautiful traditional animation: lovely dog.

White God

White God

Best Canines:

White God (Fehér isten) Hungary 2014.

The largest and the most impressively led pack of dogs seen in ages.

Best Documentaries:

National Gallery, France, USA, UK 2014

Frederick Wiseman’s typical and completely absorbing portrait of a British artistic institution.

Letter to the Editor of Amateur Photography, UK 2013

The pleasure of watching radical documentary form: unfortunately it has had only a limited screenings.

Best wedding on film:

Wild Tales (Relatos salvaje) Argentina 2014

The best portmanteau film of the year and my most hilarious moments in cinema.

Most impressive silent film, by a narrow margin:

Les Misérables France 1928

MISERABLES_05

This screened at Le Giornate del Cinema Muto in a fine restoration, which ran for six hours: about the time you needed to read part one of the book.

Best film accompaniment:

This was the Benshi, Ichiro Kataoka, who accompanied Chuji Tabinikki / A Diary of Chuji’s Travels (Japan, 1928) along with the Otawasa Ensemble. This was another fine restoration also screened at Il Giornate del Cinema Muto.

Best early sound film:

Tell England UK 1931 screened at the British Silent Film Festival and demonstrated that how well some filmmaker used the new technology.

The film most worth waiting for:

The Promised Land (Ziemia obiecana) Poland 1975.

Director Andrzej Wajda’s epic of C19th capitalism in Łódź. And the series of Polish classics, partly organised by Martin Scorsese, was excellent.

The worst films that I sat through this year – a tie between,

Eisenstein in Guanajuato, Netherlands, Mexico, Belgium, Finland, France 2015

Steve Jobs USA 2015.

Both films had proficient technical aspects but both were idiosyncratic biopics, which showed little interest in the situation of the subject.

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One comment

  1. Alan

    I liked Phoenix too, although perhaps not quite as much as Christian Petzold’s earlier films such as Barbara. The ones from this year that will stay with me are Eden, Amour Fou, The Duke of Burgundy, The Falling, Juaja, Life of Riley, It Follows, P’tit Quinquin, A Most Violent Year, The Tribe and Tale of the Princess Kaguya.

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