This is a political thriller which received its UK premiere at the Leeds International Film Festival. It is based on actual events in 1968 when a B52 bomber, loaded with nuclear weapons, crashed at the US Airbase at Thule in Greenland. Greenland was a territory administered by Denmark and in both cases there was a ‘nuclear free’ policy. At the time the USA and Denmark maintained that the accident site was cleared and the weapons accounted for. In the 1980s workers involved in the clear-up in 1968 started showing signs of illnesses linked to radiation. The investigations led on to evidence of both contamination at the time and of a cover-up over the incident. The film explores this story focusing on a radio journalist, Poul Brink (Peter Plaugborg) who researches and reports the story. There is a full account of the historical events on Wikipedia: the film has obviously simplified the process for dramatic effect.
The film in many ways falls into the genre of the investigative journalism uncovering secrets: films like All the President’s Men (1976) or Defence of the Realm (1986). So we get light and shadows, the neon lit urban areas at night, basements, [but not underground car parks], the following car, the officious sectary or policeman, and the missing files, either hard copy and on computers. There are also the humorous moments when irony is lost on some official or bureaucratic rules lead to unintentional revelations. However, the film also achieves a distinctive treatment through the use of archive film: bonus point, these are all in the correct aspect ratio. This footage is in black and white and colour and includes television interviews and reports and an unintentionally funny US military promotional film for the airbase.
The cast is generally very good, especially Peter Plaugborg. I thought the victims of the incident were credible, though not the main focus. And the members of officialdom, with those hiding something and those letting something slip, were very good. The film is well photographed by Laust Trier-Mørk. The landscape in Greenland offers great opportunities: there is one splendid shot of the Thule Base at night, shrouded in darkness. It well edited by the team of Olivier Bugge Coutté, Janus Billeskov Jansen, Molly Marlene Stensgaard. And director Christina Rosendahl has exercised very effective control over her team.
The film was shot on an ARRI Alexa and is screened from a DCP in standard widescreen. It runs 114 minutes, slightly long as some scenes drag a little, though overall it works well. The film has English subtitles. The film does not have a UK distributor yet but it is good enough to warrant that.