I’d never heard of this film, a reconstruction of ‘black panther’ serial killer Dennis Nielsen’s grim crimes, despite the fact it apparently stimulated a mini moral panic on its release. John Patterson’s excellent article fills in the background so I’ll limit my comments to a few observations.
The first thing that surprised me was the credits that announced this was ‘A film by Ian Merrick’; I thought that habit started later – perhaps a reader could comment. Merrick had some justification, unlike most of today’s director’s, for this ownership as he also produced. The film recreates, it says as accurately as possible and I have no reason to disbelief, how Nielsen moved from petty theft to murder and finally kidnapping. I certainly remember Lesley Whittle, his victim, 40 years later; no doubt due to the coverage the case received at the time. The film shows that the press, in search of a story, interfered with the ransom pay-off, possibly with fatal consequences. Of course the press wouldn’t do that now… News of the World hacked the abducted Milly Dowler’s phone not so long ago so they probably would.
The film has the authentic drabness of the ’70s, though it only seems like that in retrospect, at the time (as a teenager) it seemed fine to me. They were turbulent times in the UK: the electricity cuts caused by the 3-Day working week; IMF bail out; numerous strikes; the enthronement of Thatcher as PM. The last event, of course, was the worst as it has had a lasting effect through the neoliberal policies that have become the received wisdom of economics. Donald Sumpter is good in the role of Nielsen and Debbie Farrington is affectingly ‘innocent’ as his final victim. The ending, presumably based on fact, is truly bonkers: Nielsen is finally apprehended in a fight in front of a bemused group of people outside a chippy. It’s good that the BFI have brought this film out of the wilderness.