Apart from co-productions, I think I’ve only seen one other Venezuelan film and that was at a festival. All credit then to Matchbox films, the distributor of the UK DVD released today, 27th April. In some ways very familiar, this is actually quite a complex and unusual film. Ostensibly a distinctly Hispanic Gothic ‘haunted house’ story, the title reveals that there is also a ‘time’ dimension which adds a further element to the mix.
The central character is Dulce (played by Ruddy Rodriguez), a mother with two young boys living with a man who is the father of the younger child. The narrative begins in 1981 when Dulce is arrested for the murder of her partner in circumstances she doesn’t really understand. Thirty years later she is released from prison but held under house arrest in the same old house. Where are her two sons? By constantly moving between 1981 and 2011 the story is gradually revealed. This ‘reveal’ also requires an ‘investigator’, here a young priest. Added to the Catholic discourse is a visit from a medium and a spirit guide drawn from Venezuela’s African and indigenous cultural mix. The priest will discover that the house has a history and that previous families who lived there also had problems.
At the beginning of the film I felt that there was something odd about the aesthetics of the film and for the first few minutes I wasn’t sure if this was meant to be Spain or Latin America (I hadn’t checked before sticking the DVD in the player). The haunted house and the female-centred family melodrama have been explored in several high profile Spanish films including El orfanato (2007) but I sensed rather than saw directly links to Mexican horror films like Kilómetro 31 (2006) or in the case of the spirit guide, aspects of Cuban cinema and Santería (a religious tradition found across Cuba and Venezuela). Another Cuban link and the first indication that confirmed Latin American cinema for me was the importance of baseball.
I can’t imagine that first time producer-writer-director Alejandro Hidalgo had much of a budget to play with but he handles the complex shifts in time and the repetition of sequences from different perspectives very well. The house itself is a great setting and although the pacing and use of music teeters on the edge of constant portentousness, he manages to keep control and deliver. Looking at the comments from various horror fansites the film has gone down well with its intended audiences. If I have a criticism it’s that I would like to have found out more about the early history of the house, but really the story is complex enough and the closing sequences spring some surprises and twists. I hope the film finds its audience in the UK.
Official trailer (US?):