I wrote in detail about this local Yorkshire festival with a global reach last year. I enjoyed that visit so I returned this year. As far as I can make out there were less films screened this year but the standard was just as high, possibly higher overall even though I didn’t find the one standout film that so impressed me last time. With 50 short films in the programme I managed to see 19. An innovation this time was the switch to ‘mixed’ programmes in each of the seven screening rooms (three of which were deemed ’15+’ to give viewers some guidance to suitability). The ‘certification/advice’ idea is a good one but for me personally the mixing of animation, drama, science fiction, documentary etc. in the same programme was a bit of a pain. However, I’m not the target audience and there seemed to be more people viewing the programmes (and they were a more diverse audience) than last year. The festival screens the winning films voted for by festivalgoers in various categories at Keighley Picture House in the evening.
In terms of the films themselves, they seemed to be from a similar range of sources – though this year I was more aware of multiple entries from a handful of filmmakers. The interesting point remains that most of the films come from Europe, especially Spain. The film I enjoyed most was Desintegración by Álvaro Martín. This satire about the current economic crisis in Spain imagines an Orwellian future (in beautiful black & white) in which children are bought by the government or put out on the streets tied up like a dog and hoping for pity. You can see this film on Vimeo (but without the subs unfortunately). My selection also included films from Italy, Ireland and Israel, Germany, Estonia, Portugal, Poland and Croatia plus the UK, Australia and the US. (It’s strange that there are no shorts from France.) Most of the filmmakers appear to have been trained and to have started their own companies and Vimeo accounts where examples of their work can be found. Whether this means they are no longer ‘amateur’ is an interesting question. Most of the information about the films I found through online searches. RATMAFF is organised by a college lecturer and staffed by volunteers with funds raised going to Cancer Research UK, so I’m not complaining. Well done to everyone I say. Putting foreign language films before the good people of Keighley is a public service and I hope they can carry on offering a diverse programme for many years.
Here are Vimeo links to two more of the filmmakers featured at the festival:
Pedro Santasmarinas (Portugal)
Olga Guse (Germany)