The Leeds International Film Festival 2014

A screening at the Town Hall – 2001

This was the 28th festival of film held in Leeds. My impression was that this was the strongest programme for several years. Friends I talked to were mostly in agreement. Given the number of films shown, not all were completely entertaining or top line films, but there were enough to fill up the fortnight over which it ran.

The most popular film with audiences was What We Do in the Shadows (New Zealand, 2014). This is an unconventional vampire movie. And it is getting a UK release from Metrodome. Friends and colleagues also recommended a number of other films: there was the Possibilities are Endless with Edwyn Collins (UK 2014). This is a documentary about overcoming a near death ailment by the songwriter of the title: this film was highly praised by several people. This should also be available in Picturehouses venues. Another was Stations of the Cross (Germany 2014) which combines the form of this Catholic ritual with the story of a young woman, Maria. Everyone who had seen it praised it to me. It is released by Arrow on Friday. And there was Stray Dogs (France, Taiwan, 2013), one of two film directed by Tsai Ming Liang. This director has a growing reputation in the International art cinema, though it may not be easy to find opportunities for seeing his films. Roy has reviewed some of them other films in the Festival. And some of the ones previewed here were successes. Abel Gance’s J’accuse (1919) made a strong impression and was well accompanied on the Town Hall organ. My biggest regret [due to a teaching commitments] was missing Goodbye to Language 3D (France, 2014) Jean-Luc Godardpushing the boundaries’ at 83 – one response was ‘brilliant’, another was far less polite about the film, someone’s ‘worst experience’ of the Festival..

One of the substantial elements in the Festival was the Short Film City programmes, including several competitions. The most prestigious is the Louis Le Prince International Short Film Competition: named after the pioneer inventor who produced film in Leeds in 1888. The eight person jury selected Art (Arta, Romania, 2014). This is probably a filmmaker’s film: I thought Chorus (Choro Dos Amantes, Portugal 2014) was the best of these films that I saw – this got a special mention from the Jury along with Greenland (Israel, 2014).

For the British Short Film Competition 2014 the jury selected Exchange and Mart commenting ‘A beautifully executed coming of age film.’ – I read the film rather differently though it was a fine production from Creative Scotland. I preferred the Audience Award: Anthony – if you can access this film save it for December 24th.

There are further details including the other competitions such as the Animation Shorts on the Festival Website. Apparently ticket sales this year topped 40,000 for the first time. It was an extensive programme and there were a few duds – one of the Iglesia films merited the description ‘a wretched piece of sexist crap’! And there were a few technical and presentation problems with some digital and digital video – what Festival did not suffer such glitches?  Overall a real success and the omens for 2015 look good. All the more important as that year will not see a Festival across the way in Bradford.

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