Reel Spokes – Bikes on Film

Le tour races through itpworld‘s home town on July 6 so it seems appropriate to celebrate a glimpse of the Yellow Jersey with a favourite collection of images of bikes on film. Pride of place should go in this case to one of my favourite Jean-Luc Godard films, Une femme est une femme (France 1961) in which Anna Karina is the partner of Jean-Claude Brialy who follows sport with a passion, listening to football on the radio and cycling around the tiny apartment as he thinks about cycle races:

Anna Karina and Jean-Claude Brialy in UNE FEMME EST UNE FEMME

Anna Karina and Jean-Claude Brialy in UNE FEMME EST UNE FEMME

I’ve scoured the internet for interesting images and discovered several ‘bikes in the movies’ blogs. I’ve listed some of the best at the end of the post. Apologies to all concerned from whom I’ve borrowed images – I hope you feel that it’s a good cause.

Who could resist the idea of Stan and Ollie running a bike shop?

AIR RAID WARDENS (1943)

AIR RAID WARDENS (1943)

Five entries for the sexiest cyclist:

Emily Lloyd in WISHING YOU WERE HERE (d. David Leland, UK 1987)

Emily Lloyd in WISH YOU WERE HERE (d. David Leland, UK 1987)

Bernadettle Lafont in LES MISTONS (d. Francois Truffaut 1957)

Bernadette Lafont in LES MISTONS (d. Francois Truffaut 1957)

Jeanne Moreau with Oskar Werner and ? in JULES ET JIM (d. François Truffaut 1961)

Jeanne Moreau in JULES ET JIM (d. François Truffaut 1961)

Paul Newman in BUTCH CASSIDY & the SUNDANCE KID (d. George Roy Hill, 1969)

Paul Newman in BUTCH CASSIDY & the SUNDANCE KID (d. George Roy Hill, 1969)

Paul Newman and Katherine Ross in BUTCH CASSIDY & the SUNDANCE KID

Paul Newman and Katherine Ross in BUTCH CASSIDY & the SUNDANCE KID

Bikes can be sexy I think you’ll agree. Part of the appeal is the sense of freedom, the ‘go anywhere’ possibilities of the bike. But I have to confess those loose dresses and flashes of suntanned legs pumping the pedals are very alluring. As for Paul Newman on a bike, I’m not best equipped to explain why it works but it does. Here’s another trio:

Anna Karina gets help from Sami Frey and Claude Brasseur in Godard's A BANDE A PART (France 1964)

Anna Karina gets help from Sami Frey and Claude Brasseur in Godard’s A BANDE A PART (France 1964)

Nina Hoss in BARBARA (Germany 2012 dir. Christian Petzold)

Nina Hoss in BARBARA (Germany 2012 dir. Christian Petzold)

Cécile De France and Thomas Doret in LE GAMIN AU VÉLO (dirs Jean-Pierre et Luc Dardenne France-Belgium 2011)

Cécile De France and Thomas Doret in LE GAMIN AU VÉLO (dirs Jean-Pierre et Luc Dardenne France-Belgium 2011)

Our local cycling connection from film history is A Boy, A Girl and a Bike (dir. Ralph Smart, UK 1949) filmed in some of the locations visited by the Le tour this weekend. It’s remembered now partly because the British 1950s sex symbol Diana Dors has a minor role, but there is much more to it than that.

Honor Blackman looks back

Honor Blackman looks back

Miss Dors in the Dales

Miss Dors in the Dales

Sam (Patrick Holt) and Sue (Honor Blackman) out riding with the Wakeford Wheelers.

Sam (Patrick Holt) and Sue (Honor Blackman) out riding with the Wakeford Wheelers.

Bicycles feature in several well-known British films, here are a few more:

Maggie Smith in THE PRIME OF MISS JEAN BRODIE (dir. Ronald Neame, UK 1969)

Maggie Smith in THE PRIME OF MISS JEAN BRODIE (dir. Ronald Neame, UK 1969)

Cycling was once essential for workers and here’s a famous example of riding home from work. It’s appropriate that Saturday Night and Sunday Morning (dir Karel Reisz, UK 1960) was set in Nottingham, home to the UK’s most famous manufacturer of bicycles, Raleigh.

Besides the practicalities of cycling, bicycles are an important part of the neo-realist tradition – an important plot device in those societies where ownership of a bike, or even just the chance to ride one, can change people’s lives. Bicycle Thieves (dir Vittorio De Sica, Italy 1948) is perhaps the most influential film on new filmmakers across the world:

Antonio and Bruno ask their friends to help them look for the stolen bike in BICYCLE THIEVES

Antonio and Bruno ask their friends to help them look for the stolen bike in BICYCLE THIEVES

Two images from Beijing Bicycle (dir Wang Xiaoshuai, China 2001):

The bike is first leased to the courier . . .

The bike is first leased to the courier . . .

. . . and is then stolen by the schoolboy to impress his girlfriend

. . . and is then stolen by the schoolboy to impress his girlfriend

Bicycles have given women freedom at certain times and here in Late Spring (dir Ozu Yasujiro, Japan 1949) Hara Setsuko is able to go out for a ride inan unusual sequence from an Ozu film:

latespring

In some societies, the bicycle is a potent symbol of gender difference and cultural/religious conflict as in Wadjda (dir. Haifaa Al Mansour, Saudi Arabia-Germany 2012):

Tribeca Wadjda

and in The Day I Became a Woman (dir. Marziyeh Meshkini, Iran 2000)

Ahoo takes part in a bicycle race in THE DAY I BECAME a WOMAN

Ahoo takes part in a bicycle race in THE DAY I BECAME a WOMAN

And to round off our tribute to the peleton, a reminder of one of the most enjoyable bike films, Breaking Away (dir Peter Yates, US 1979)

BreakingAway

Here’s that list of useful sites:

http://ridesabike.com

http://www.dollyrockergirl.com/2011/05/i-want-to-ride-my-bicycle-bicycle.html

http://quitecontinental.net/tag/history/page/2/

http://hollywood-legacy.tumblr.com/post/48457889233/paul-newman-and-katharine-ross-as-butch-and

http://inter.pyramidefilms.com/content/beijing-bicycle

Happy pedalling!

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