The debut director, Cristian Nemescu, along with his sound editor Andrei Toncu, died in a car crash before this film was completed; hence the ‘endless’ (i.e. ‘unfinished’). The film world lost great talent because California Dreamin’ is a striking debut. It pits small town Romania against Americans, or specifically, NATO troops who are trying to get radar equipment, via train, to the Serbian border during the Civil War. However, the local station master, superbly played by Razvan Vasilescu) has a grudge against the US as they failed to liberate him, and his family, at the end of World War II. He keeps the train ‘grounded’ for five days while the laborious government bureaucracy tries to catch up with him. Even when the Minister for Transport arrives, he remains implacable.
He’s also bleeding the village dry through his corruption. It’s something then, that we can have a grudging admiration for this character, Doiaru, as he fights a losing battle with his 17 year-old daughter, seductively played by Maria Dinulescu, who falls for one of the Americans.
Nemescu, who co-wrote the screenplay with Tudor Voican, is equally scathing, and sympathetic to, both his native Romanians and the Americans, embodied particularly by the ‘no nonsense’ Captain Jones (Armand Assante). He never fails to exploit the humour of the situation; the Elvis impersonator at the village’s 100th anniversary celebrations (which is a repeat of one they had a few months earlier) is a particular highlight. Monica’s (Dinelescu) whirlwind ‘romance’ with the soldier is well portrayed; she’s convincingly far more knowing than her 17 years.
Its two and a half hour running town could, and may have been, cut but it was right that the producer put the film out in the state it was at Nemescu’s demise. If Nemescu’s eye for the absurd is sharp I was less impressed by the Dogma style handheld camera, occasionally using telephoto lens which created a great deal of shake.