Bradford prides itself on its programming of shorts. I’m not really a shorts fan and I do tend to neglect them, though I appreciate the importance of short filmmaking in the ecology of film production generally. BIFF 2014 featured short films in a variety of programming slots. The ‘Shine Short Film Competition’ comprised six films shown as a programme twice and individual entries shown before the main feature elsewhere in the programme. I saw only two of the six, one of which, Cadet (Belgium 2013) won the prize (report to follow). I didn’t see any of the Sydney Underground Shorts which screened before the late night horror films in the ‘Bradford After Dark’ programme. (I couldn’t watch the late-night films as there is no all-night public transport to get me the nine miles home.) I only saw one of the Charles Urban early scientific films – these too had a separate programme.
I did see most of the ‘Cinetrain: Russian Winter’ films that were dotted across the main programme. This funded production programme invited international filmmakers to make films about communities in Northern Russia during the ferocious Russian winter. It’s an interesting project with information available on its website. Bradford showed all seven films which attempted to explore “the most common stereotypes about Russia”. These include excessive drinking, open-air bathing in the depths of winter, traditional Russian crafts etc. I was most intrigued by the village dwellers in one community who complained about the disintegration of local community/collectivist spirit. They viewed the new capitalist Russia with mistrust and felt that today people steal from each other to get by when they used to help each other. That’s a side of the new Russia that doesn’t get as much media attention as it should.
Other than these separate programmes, each of the ‘official features’ was also accompanied by an appropriate short film. I confess that under pressure with several screenings on the same day I sometimes missed the short on purpose to give myself a few extra minutes of breathing space. I’ll just pick out one other short (some are mentioned alongside the feature screenings). The one that impressed me most (i.e. appealed to my interests) was Whale Valley (Iceland-Denmark 2013) directed by Arnar Gudmundsson. This tells a complete and satisfying story about two brothers – a genuine ‘Nordic noir’ – on their farm (see the still above) in 15 minutes of skilled narrative filmmaking. I wasn’t surprised to learn about its success at festivals worldwide.