There has been much coverage of the Film Awards season in the media: The Golden Globes, The Screen Actors Guild, The BAFTAS, and The Academy Awards. The last two have yet to arrive, but there is already an amount of speculation, and apparently betting. Most of the media only discuss the major awards: credit though to BBC2’s Newsnight which had short interviews with the filmmakers involved in two ‘minor’ awards – Best Documentary Feature – “The Square” Jehane Noujaim and Karim Amer and Best Documentary Short Subject – “Karama Has No Walls” Sara Ishaq
Some critics like Peter Bradshaw in The Guardian already fear that ‘the best film will not win’. Which raises the question ‘whose best film’? None of my favourites for the year received a nomination; not surprising. Only one film in the Sight & Sound (January, 2014) top ten in its list for the year made it into the major awards. Of the other main contenders only 12 Years a Slave managed a position, at joint fourteen. The nominations, with the exceptions of the Best Foreign Language Film, Best Documentary Feature, Best Documentary Short Film, Best Animated Short Film and Best Live Action Short Film, are all taken from mainstream Box Office successes. In fact, the general audience have presumably already voted at the Box Office. And as Peter Bradshaw in The Guardian pointed out, there is an observable gap between the Box Office choice and that of the Academy members.
What is more worrying about the Academy members’ choices is on what basis they choose. Peter Bradshaw bemoaned that not all the members would watch the nominated films on the DVDs provided. I rather think they have now moved on to Blu-Ray. Whatever, this is not strictly film and certainly not cinema. I suspect that a large number of votes at the Screen Actors’ Guild, the BAFTAS and the Oscars will be based on watching video. Of course, it may be high definition and it may be on 50 inch Television or Plasma screens. One assumes that the Foreign Press Association do actually watch films at the cinema.
I did. On the day that the Oscar nominations were announced I went to see Nairobi a Half Life (Kenya, 2012), a film proposed for the Academy’s awards but which did not manage a nomination in the Foreign Language Film category. It is an uneven film but I thought it better than at least one title in the Sight & Sound list. My enjoyment was partly fuelled by the gasps etc by fellow audience members at moments of tension and our shared laughter at the macabre but witty moments. Watching it on video would be only half the experience.