This South Korean horror film was given a UK DVD release on October 14th from Matchbox. It belongs to a form of teen horror franchise known as Yeogo goedam and re-titled as Whispering Corridors in English. This is the fifth instalment. The first was in 1998 with further films in 1999, 2003, 2005 and then 2009. Each film has a separate title as well as a reference to the franchise. The only elements in the ‘package’ that remain the same are the setting in a girls high school, a group of girls as principal characters and the theme that involves emotional relationships and some form of ‘haunting’. I haven’t seen the 4th instalment but I enjoyed all the others.
A Blood Pledge refers to the suicide pledge taken by four senior girls at a Catholic high school (are they called convents in South Korea?). One of the four does leap to her death from the school roof (the preferred method of suicide in several East Asian films) but the other three appear at school the next morning. The leap is witnessed by the dead girl’s younger sister. She begins to investigate what happened and disputes begin to develop between the other three girls who made the pact. The one who died is clearly going to come back to haunt the others.
Compared to the first film this latest instalment is a very slick and ‘clean’ presentation with fluid camerawork. Much of the action takes place at night and in their school uniforms with similar hairstyles it is sometimes difficult to distinguish the five central characters. There are numerous flashbacks and dream/nightmare sequences that are not very clearly marked as such so it’s quite easy to become confused and the experience of watching can make the viewer feel delirious. As far as horror effects are concerned, there is a lot of blood – but since several scenes are located in spotlessly clean school toilets, the overall effect is quite odd. Otherwise there are the usual bumps in the dark. The most interesting aspect of the film for me is the social commentary that appears at various times. We do learn something of some of the girls’ home lives but oddly we rarely see the teachers in the school (teachers are more involved in some of the other instalments of the franchise). The most overlooked aspect of the narrative in the reviews that I have seen is the Catholicism. I thought suicide was a mortal sin, but little seems to be made of it as an event in school.
A useful interview with Lee Choon-yun the producer (and originator) of the franchise can be found here. It seems that the initial idea came from a Japanese film from 1995 and it was attractive to Lee because he saw a means of drawing on a tradition of ‘legends’ or ‘scary stories’ that circulated in Korean schools. He also tells us that he was motivated by his own views about what he describes as the “repressive Korean education system” which turns out ‘good boys and girls’, punched from cookie-cutter moulds”. He also tells us that:
. . . a girl’s high school was an attractive setting. It’s a space that stimulates male curiosity, a place that men have never been in but are fascinated by. Conversely, for women it’s an environment that they can feel nostalgic about.
The temptation in the UK would be to sexualise the girls explicitly, especially via school uniforms, but the uniforms in this film are modest, tailored and seemingly quite expensive. Somehow, the film’s director Lee Jong-yong manages to deal with familiar social issues about teen sexuality and relationships and parental bullying alongside ‘crushes’ and petty jealousies in a measured way so that he can focus on quite long scenes of angry looks, accusations and pleadings between the girls. His previous important credits include script work on Sympathy for Mr Vengeance (2002) and as Assistant director on JSA (2000) but this isn’t a Park Chan-wook style film.
The DVD is available from Amazon. I’d certainly recommend the film to anyone interested in horror, teen films or East Asian cinemas generally. It’s not necessary to have seen any of the four previous Whispering Corridors films to enjoy this one but I think you will want to see how different directors handle similar material. I think that Memento Mori (1999) remains my favourite for the moment, but I must look out for The Voice (2005). All four earlier titles are available in a Region 2 box set heavily discounted, so if you are starting without any knowledge you can now access all five quite easily.