It’s difficult to write about a film that I had to watch through my fingers on several occasions. I have a phobia about scenes featuring surgical operations and there are plenty of those in this film set in a leading clinic in Zagreb. Those green gowns and spurting blood are too much and if this film hadn’t been in the European Features competition, I would have given it a miss. None of this is meant to imply a criticism of the film. In fact, I thought it was rather good. The title refers to the central character who is indeed a vegetarian and is mocked because of it by his friends in the police force. But he’s not the stereotype veggie – indeed his appetites are voracious. He seeks sex, drugs, bling and fast cars. He relaxes by drumming on his professional kit and working hard in the gym. No doubt he is actually a highly competent gynaecologist and a cultured man but unfortunately he is so wrapped up in corruption that he can’t extricate himself.
This was the Croatian entry for the 2013 Academy Awards – which says something about the Croatian sense of identity. I’ve seen American reviews of the film which go with the character’s greed for money (and frequently compare him to the protagonist of American Psycho), but in the UK that isn’t really the issue – I think we home in on the questions about professionalism and what the subtitles refer to as ‘collegiality’. But of course neither Anglo or American perspectives can really explain the Balkan cultural issues. I’m guessing that somewhere in here is a metaphor/allegory for Croatia’s debate about joining the EU (which happens this Summer). There is still a great deal of baggage from the Yugoslavian past to work through before Croatia can be properly accepted. The issues highlighted in the film include blatant racism in the treatment of a Jordanian doctor in the clinic, the ex-military commanders trafficking young women from Ukraine etc. and the corruption and brutality that seems to permeate everything including a sporting culture that includes illegal dog fights.
The cinematography is mainly hand-held and though I find this difficult to watch, I can see that the approach is appropriate here. The film moves at a breathless pace and I find it hard to believe that it was only 85 minutes – I felt like I got more than 85 minutes of action. Rene Bitorajac as the central character, Danko Babic, is excellent. I kept finding him likeable even though I despised everything he was doing. That’s charisma. This is a strong contender for a prize – just like the other two films in competition that I’ve seen.