This film demonstrates that it is possible to make a decent ‘festival film’ able to attract audiences in many countries with virtually no production budget at all (see the official website). Some press reports suggest that the film was completed for €1,000, but in an interview the writer-director (and cinematographer-editor) Jonathan Cenzual Burley suggests that with the cost of post-production, the budget would probably equal “the cost of a decent car” (£20,000?). I’d urge any young filmmaker to watch the film and see just what is possible.
The best advice to first time writer-directors with very little money is probably to create a story about something you know, set it in a location you can easily access and cast your friends and relations if they are suitable. Burley is perhaps fortunate in that his grandparents’ house is on the plains of Salamanca in Western Castile. Given plenty of sunshine and a landscape full of possibilities in representing the myths and legends of Spanish culture, he made the sensible decision to place his two central characters in this wonderful landscape and to keep his camera low and compose the most beautiful vistas. Added to this he found two more than competent musicians (one of whom, Andrea Calabrese is also one of the two lead actors) to provide an interesting soundtrack of mostly guitar and accordion music. But is there a story, you ask? Well, sort of . . .
Burley tells us that he is interested in Spanish stories, although he actually namechecks Gabriel García Márquez. But he does conjure up a tale of the picaresque that refers us back to Cervantes (and perhaps to Luis Buñuel’s films since a character turns up from Santiago de Compostela amongst other possible references). In a prologue we learn that an old man, who has had an ‘adventurous life’ traversing the world many times, is dying in his village and his final act is to invite to his funeral his two sons – who have never met him or indeed each other. Finding each a brother is his parting gift. The two half-brothers meet at an abandoned railway station and proceed to get lost together as they seek out the village where the funeral is to be held. Along the way they meet a diverse range of characters and of course find out something about each other.
The film is quite short. It is divided into chapters and Burley uses some simple devices to denote dreams and fantasies. If you are of a mind, it is possible to spot lots of potential references to European art films. However, the tone of the film is light and playful. It is described as a comedy. I’m not sure it is laugh-out-loud funny, but it is certainly amusing. The technical aspects of production are handled well and the cast, most of whom seem to be family members or actors with no or little previous experience, are generally pretty good. On Rotten Tomatoes, the film is listed as 83% fresh. Some of the more experienced (and possibly jaded?) critics didn’t like it, but younger critics did.
El alma de las macas appeared in cinemas in the UK in July and it is now available to own on DVD from 22 October, courtesy of Matchbox Films. Order your copy here: amazon.co.uk/dp/B008US3VHI