The Case for Global Film

The Case for Global Film

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Monthly Archives: April, 2011

  • The Battleship Potemkin (Bronenosets Potemkin, USSR 1925) April 28, 2011
  • Norwegian Wood (Japan 2010) April 27, 2011
  • Source Code (Canada/France/US 2011) April 26, 2011
  • BIFF 2011 #21: Modra (Canada 2010) April 25, 2011
  • The Eagle (UK/US 2011) April 21, 2011
  • Aftershock (China 2010) April 21, 2011
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Recent Posts

  • LFF 2020 #7: Striding into the Wind (Ye Ma Fen Zong, China 2020)
  • LFF 2020 #6: Identifying Features (Sin señas particulares, Mexico-Spain 2020)
  • LFF 2020 #5: Shadow Country (Krajina ve stínu, Czech Republic 2020)
  • LFF 2020 #4: A Common Crime (Un crimen común, Argentina-Brazil-Switz 2020)
  • LFF 2020 #3: The Salt in Our Waters (Nonajoler Kabbo, Bangladesh-France 2020)
  • As I Open My Eyes (À peine p’ouvre les yeux, Tunisia-France-Bel-UAE-Switz 2015)

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Recent Comments

  • Cinescope on LFF 2020 #1: Chess of the Wind (Shatranj-e baad, Iran 1976)
  • Roy Stafford on LFF 2020 #1: Chess of the Wind (Shatranj-e baad, Iran 1976)
  • Roy Stafford on LFF 2020 #1: Chess of the Wind (Shatranj-e baad, Iran 1976)
  • Cinescope on LFF 2020 #1: Chess of the Wind (Shatranj-e baad, Iran 1976)
  • Cinescope on African Cinema – as seen in the UK
  • Cinescope on The Terrorizers ( Kong bu fen zi, Taiwan 1986)

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  • Film Festivals
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  • FREE Education Resources to Download
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  • Kore-eda Hirokazu
  • Liverpool films, Liverpool stories
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Melodrama Nordic Cinema People Politics on film Romance Spanish Cinema

#GFF19 #GFF20 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival coming of age crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 home front drama Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Leeds International Film Festival LIFF 2018 migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social melodrama social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Kirk Douglas 1916 to 2020
    • Ennio Morricone, 1928 to 2020
    • Michel Piccoli, actor 1925 to 2020
    • Albert Finney 1936 to 2019
    • Max von Sydow 1929 to 2020
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Day After I’m Gone (Israel-France 2019)
    • Da 5 Bloods (US 2020)
    • Redoutable (Le Redoutable, France-Myanmar 2017)
    • CIFF20 #5: Kuessipan (Canada 2019)
    • CIFF20 #4: Rounds (V krŭg, Bulgaria-Serbia 2019)
  • Roy Stafford
    • LFF 2020 #7: Striding into the Wind (Ye Ma Fen Zong, China 2020)
    • LFF 2020 #6: Identifying Features (Sin señas particulares, Mexico-Spain 2020)
    • LFF 2020 #5: Shadow Country (Krajina ve stínu, Czech Republic 2020)
    • LFF 2020 #4: A Common Crime (Un crimen común, Argentina-Brazil-Switz 2020)
    • LFF 2020 #3: The Salt in Our Waters (Nonajoler Kabbo, Bangladesh-France 2020)

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