The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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Monthly Archives: April, 2011

  • The Battleship Potemkin (Bronenosets Potemkin, USSR 1925) April 28, 2011
  • Norwegian Wood (Japan 2010) April 27, 2011
  • Source Code (Canada/France/US 2011) April 26, 2011
  • BIFF 2011 #21: Modra (Canada 2010) April 25, 2011
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Recent Posts

  • Bait (UK 2018)
  • The Cremator (Spalovac mrtvol, Czechoslovakia 1969)
  • A Hill in Korea (UK 1956)
  • Not Just Bollywood: Deepa Mehta’s ‘Elements Trilogy’
  • The Levelling (UK 2016)
  • Literary critics and the cinema

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Recent Comments

  • keith1942 on Transit (Germany-France 2018)
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  • nicklacey on The Levelling (UK 2016)
  • nicklacey on The Levelling (UK 2016)
  • john David hall on The Levelling (UK 2016)
  • Roy Stafford on The Levelling (UK 2016)

Pages

  • About us
  • Contact Us
  • Film and Media Studies Courses in the UK
  • Film Festivals
  • Films by women
  • FREE Education Resources to Download
  • Global Cinema Resources
  • How to navigate this site
  • Kore-eda Hirokazu
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

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#GFF19 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 Hebden Bridge Picture House Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Kore-eda Hirokazu Kurosawa Akira Leeds International Film Festival LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social realism thriller war film war movie youth picture ¡Viva!

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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • Cinemalibero: FESPACO 1969 – 2019
    • Film from 1919 at Il Cinema Ritrovato
    • D. A. Pennebaker, 1925 to 2019
    • Rear Window (US 1954)
    • Pavilion: Artists on Film
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • Bait (UK 2018)
    • The Cremator (Spalovac mrtvol, Czechoslovakia 1969)
    • The Levelling (UK 2016)
    • Larks on a String (Skrivánci na niti,, 1969 Czechslovakia)
    • The Shop on the High Street (Obchod na korze Czechoslovakia, 1965)
  • Roy Stafford
    • A Hill in Korea (UK 1956)
    • Not Just Bollywood: Deepa Mehta’s ‘Elements Trilogy’
    • Literary critics and the cinema
    • Pain and Glory (Dolor y gloria, Spain 2019)
    • Transit (Germany-France 2018)

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