The Case for Global Film

The Case for Global Film

Everything that isn't Hollywood (and a little that is)
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Monthly Archives: February, 2010

  • Sex & Drugs & Rock & Roll (UK 2010) February 28, 2010
  • Precious: Based on the Novel Push by Sapphire (US, 2009) February 26, 2010
  • Treeless Mountain (US/South Korea 2008) February 20, 2010
  • Nowhere Boy (UK 2009) February 15, 2010
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Recent Posts

  • Blinded by the Light (UK-US 2019)
  • The Incessant Fear of Rape (Tottaa Pataaka Item Maal, India Hindi 2019)
  • Photograph (India-Germany-US 2019)
  • Malta Story (UK 1953)
  • D. A. Pennebaker, 1925 to 2019
  • The Chambermaid (La camarista, Mexico 2018)

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Recent Comments

  • john David hall on The Chambermaid (La camarista, Mexico 2018)
  • Roy Stafford on If… (UK 1968)
  • Ruth Baumberg on If… (UK 1968)
  • john David hall on Support the Girls (US 2018)
  • john David hall on Border (Gräns, Sweden-Denmark 2018)
  • keith1942 on Bastards (Les salauds France-Germany 2013)

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  • Film Festivals
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  • FREE Education Resources to Download
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  • Kore-eda Hirokazu
  • Most popular entries
  • Our Film Courses
  • Our reviews
  • Rossellini and Neo-realism
  • Specialised Cinemas in the UK
  • The Ida Lupino Project
  • What’s this blog for?

American Independents British Cinema Chinese Cinema Comedies Directors Documentary Festivals and Conferences Film Reviews Films by women French Cinema German Cinema Hollywood Indian Cinema Japanese Cinema Latin American Cinema Melodrama People Politics on film Romance Spanish Cinema

#GFF19 35mm art cinema Arthouse Berlinale BIFF 2012 BIFF 2013 BIFF 2014 biopic Bradford International Film Festival crime fiction crime film crime melodrama crime thriller Ealing Studios family drama family melodrama fantasy Film Noir Films From the South GFF18 Glasgow FF15 Hebden Bridge Picture House Hong Kong cinema Hyde Park Picture House Indian Parallel Cinema Ken Loach Kore-eda Hirokazu Kurosawa Akira Leeds International Film Festival LIFF 2018 Melodrama migration neo-realism New Wave Nouvelle vague polar political cinema political thriller Realism road movie satire science fiction Second World War social realism thriller war film war movie youth picture ¡Viva!

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Film and Media Education since 1990

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Top Posts

  • Blinded by the Light (UK-US 2019)
  • The Incessant Fear of Rape (Tottaa Pataaka Item Maal, India Hindi 2019)
  • BIFF 2011 #18: Q&A with Thomas Arslan plus In the Shadows (Germany 2010)
  • Tsotsi (South Africa/UK 2005) – A narrative analysis
  • Bicycle Thieves (Ladri di biciclette, Italy 1948)
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Contributors

  • des1967
    • My Life as a Courgette (Ma vie de Courgette, France-Switzerland 2016)
    • The Bureau (Le bureau des légendes, France 2015 – )
    • The Last Five Years (US 2014)
    • ’71 (UK 2014)
    • The Lookout (Le Guetteur, France 2012)
  • keith1942
    • D. A. Pennebaker, 1925 to 2019
    • Rear Window (US 1954)
    • Pavilion: Artists on Film
    • Arabs and Niggers, Your Neighbours (Les Bicots-Négres, Vos Voisins, Mauritania-France, 1974)
    • Il Cinema Ritrovato 2019
  • Rona
    • Some Reflections on Agnès Varda and Visages, villages (Faces, places, France 2017)
    • Deutschland, bleiche Mutter (Germany, Pale Mother, West Germany 1980)
    • Dark River (UK 2017)
    • Chantal Akerman: No Home Movie (Belgium-France 2015)
    • Further thoughts on Phoenix (Germany 2014)
  • nicklacey
    • The Shop on the High Street (Obchod na korze Czechoslovakia, 1965)
    • If… (UK 1968)
    • Defence of the Realm (UK 1985)
    • Miraculous Virgin (Panna zázracnica, Czechoslovakia 1967)
    • It’s Only the End of the World (Juste la fin du monde, Canada-France 2016)
  • Roy Stafford
    • Blinded by the Light (UK-US 2019)
    • The Incessant Fear of Rape (Tottaa Pataaka Item Maal, India Hindi 2019)
    • Photograph (India-Germany-US 2019)
    • Malta Story (UK 1953)
    • The Chambermaid (La camarista, Mexico 2018)

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