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	<title>The Case for Global Film</title>
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	<link>http://itpworld.wordpress.com</link>
	<description>Discussing everything that isn't Hollywood (and a little that is).</description>
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		<title>The Case for Global Film</title>
		<link>http://itpworld.wordpress.com</link>
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		<item>
		<title>2011 Global Box Office News</title>
		<link>http://itpworld.wordpress.com/2012/01/26/2011-global-box-office-news/</link>
		<comments>http://itpworld.wordpress.com/2012/01/26/2011-global-box-office-news/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 11:34:56 +0000</pubDate>
		<dc:creator>Roy Stafford</dc:creator>
				<category><![CDATA[box office]]></category>
		<category><![CDATA[Film industry]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6350</guid>
		<description><![CDATA[The closing figures for annual box office returns are starting to come in and very interesting they are. We&#8217;ve compiled an overview gleaned mainly from Cineuropa and Screen International. It&#8217;s an uneven picture with records being set in some territories and worrying falls in others. The winners in Europe appear to be Norway, France and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6350&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">venicelion</media:title>
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		<title>The Celluloid Ceiling – Women in Hollywood</title>
		<link>http://itpworld.wordpress.com/2012/01/25/the-celluloid-ceiling-women-in-hollywood/</link>
		<comments>http://itpworld.wordpress.com/2012/01/25/the-celluloid-ceiling-women-in-hollywood/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 12:17:23 +0000</pubDate>
		<dc:creator>Roy Stafford</dc:creator>
				<category><![CDATA[Film industry]]></category>
		<category><![CDATA[Films by women]]></category>
		<category><![CDATA[women as directors]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6414</guid>
		<description><![CDATA[Screen International reported today on the findings of the Center for Study of Women in Television and Film at San Diego University. The centre&#8217;s survey of employment on the Top 250 domestic films at the US Box Office in 2011. Although the survey found that there were marginal increases in the overall employment of women [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6414&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://itpworld.wordpress.com/2012/01/25/the-celluloid-ceiling-women-in-hollywood/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
	
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			<media:title type="html">venicelion</media:title>
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		<item>
		<title>Haywire (US 2012)</title>
		<link>http://itpworld.wordpress.com/2012/01/23/haywire/</link>
		<comments>http://itpworld.wordpress.com/2012/01/23/haywire/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 14:47:01 +0000</pubDate>
		<dc:creator>Rona</dc:creator>
				<category><![CDATA[American Independents]]></category>
		<category><![CDATA[thriller]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6377</guid>
		<description><![CDATA[I&#8217;ve been made aware recently that not everyone regards Steven Soderbergh as a genius. Before I argue the case, and using Haywire, I will admit that flicking onto Ocean&#8217;s Thirteen a couple of nights ago did make me acknowledge the other side of the argument &#8211; even when this was the film that recouped the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6377&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Rona</media:title>
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		<title>Asphalt (Germany 1929)</title>
		<link>http://itpworld.wordpress.com/2012/01/23/asphalt/</link>
		<comments>http://itpworld.wordpress.com/2012/01/23/asphalt/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 14:16:00 +0000</pubDate>
		<dc:creator>keith1942</dc:creator>
				<category><![CDATA[Melodrama]]></category>
		<category><![CDATA[German Cinema]]></category>
		<category><![CDATA[Silent Era]]></category>
		<category><![CDATA[Ufa]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6390</guid>
		<description><![CDATA[This UFA film came at the end of the silent era: it premiered only three months before the arrival of sound film in Berlin with Hollywood’s The Jazz Singer (1927). It is a fine example of the high production values, controlled style and narrative economy of the late silents. Ufa was the technical and stylistic [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6390&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">keith1942</media:title>
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			<media:title type="html">Hulk</media:title>
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		<item>
		<title>Nanban (Friend, India 2012)</title>
		<link>http://itpworld.wordpress.com/2012/01/21/nanban-friend-india-2012/</link>
		<comments>http://itpworld.wordpress.com/2012/01/21/nanban-friend-india-2012/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 17:43:16 +0000</pubDate>
		<dc:creator>Roy Stafford</dc:creator>
				<category><![CDATA[Comedies]]></category>
		<category><![CDATA[Indian Cinema]]></category>
		<category><![CDATA[Tamil Cinema]]></category>
		<category><![CDATA[Remakes]]></category>
		<category><![CDATA[Shankar]]></category>
		<category><![CDATA[Vijay]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6384</guid>
		<description><![CDATA[Remakes are a way of life in the popular Indian film industries. Hollywood is always a source of ideas as well as films from other major industries – &#8216;unofficial remakes&#8217; – but the main traffic in remakes is between the different language cinemas. Many titles are made in one language and then simply dubbed into [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6384&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://itpworld.wordpress.com/2012/01/21/nanban-friend-india-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">venicelion</media:title>
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			<media:title type="html">N</media:title>
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		<title>The Girl With the Dragon Tattoo (US 2011)</title>
		<link>http://itpworld.wordpress.com/2012/01/20/the-girl-with-the-dragon-tattoo-us-2011/</link>
		<comments>http://itpworld.wordpress.com/2012/01/20/the-girl-with-the-dragon-tattoo-us-2011/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 11:32:27 +0000</pubDate>
		<dc:creator>Roy Stafford</dc:creator>
				<category><![CDATA[A Level Film and Media]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[crime thriller]]></category>
		<category><![CDATA[Lisbeth Salander]]></category>
		<category><![CDATA[Literary adaptation]]></category>
		<category><![CDATA[Nordic Noir]]></category>
		<category><![CDATA[Stieg Larsson]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6373</guid>
		<description><![CDATA[I&#8217;m already on record as arguing that this was a pointless production, so I wasn&#8217;t an impartial observer on my cinema visit to see this film. However, I felt I had to see it and having done so I must slightly revise my original condemnation. In preparation for watching the Scott Rudin/Steve Zaillian/David Fincher film, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6373&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://itpworld.wordpress.com/2012/01/20/the-girl-with-the-dragon-tattoo-us-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">venicelion</media:title>
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			<media:title type="html">dragontattoo1</media:title>
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		<item>
		<title>Shame (UK-Canada, 2011)</title>
		<link>http://itpworld.wordpress.com/2012/01/15/shame-uk-canada-2011/</link>
		<comments>http://itpworld.wordpress.com/2012/01/15/shame-uk-canada-2011/#comments</comments>
		<pubDate>Sun, 15 Jan 2012 13:09:58 +0000</pubDate>
		<dc:creator>nicklacey</dc:creator>
				<category><![CDATA[British Cinema]]></category>
		<category><![CDATA[Arthouse]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6365</guid>
		<description><![CDATA[I first came across Michael Fassbender in Hunger, directed like Shame by Steve McQueen. His performance, as hunger-striker Bobby Sands, was extraordinary. His promise has been cemented in numerous films since ranging from X-Men First Class to Fish Tank (UK-Neth, 2009). His performance in Shame is also brilliant; he reminds me of Daniel Day-Lewis in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6365&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://itpworld.wordpress.com/2012/01/15/shame-uk-canada-2011/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">nicklacey</media:title>
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			<media:title type="html">shame08</media:title>
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		<title>9 Intervals</title>
		<link>http://itpworld.wordpress.com/2012/01/14/9-intervalsi/</link>
		<comments>http://itpworld.wordpress.com/2012/01/14/9-intervalsi/#comments</comments>
		<pubDate>Sat, 14 Jan 2012 14:19:11 +0000</pubDate>
		<dc:creator>keith1942</dc:creator>
				<category><![CDATA[Short films]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6355</guid>
		<description><![CDATA[This is a digital film consisting of nine episodes that is designed to be screened prior to feature cinema presentations. The short films are all about five minutes in length and ‘address the relationship between design and body, viewer and image.’ The film was commissioned by the Pavilion arts project and is by Aurelian Froment. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6355&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://itpworld.wordpress.com/2012/01/14/9-intervalsi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">keith1942</media:title>
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			<media:title type="html">9 intervals</media:title>
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		<title>Roman Holiday (US 1953)</title>
		<link>http://itpworld.wordpress.com/2012/01/12/roman-holiday-us-1953/</link>
		<comments>http://itpworld.wordpress.com/2012/01/12/roman-holiday-us-1953/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 17:26:53 +0000</pubDate>
		<dc:creator>Roy Stafford</dc:creator>
				<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Audrey Hepburn]]></category>
		<category><![CDATA[Cinecitta]]></category>
		<category><![CDATA[Global Hollywood]]></category>
		<category><![CDATA[neo-realism]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6343</guid>
		<description><![CDATA[Last year I enjoyed watching some of &#160;Audrey Hepburn&#8217;s early films collected in a DVD box-set. The only drawback was that Roman Holiday was not included. Now I&#8217;ve finally managed to see it I realise that it is an important production in relation to the concept of global film – as well as an extremely [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6343&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://itpworld.wordpress.com/2012/01/12/roman-holiday-us-1953/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="" medium="image">
			<media:title type="html">venicelion</media:title>
		</media:content>

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			<media:title type="html">audrey4</media:title>
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		<item>
		<title>Les enfants du paradis (France 1945)</title>
		<link>http://itpworld.wordpress.com/2012/01/10/les-enfants-du-paradis-france-1945/</link>
		<comments>http://itpworld.wordpress.com/2012/01/10/les-enfants-du-paradis-france-1945/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 10:58:38 +0000</pubDate>
		<dc:creator>Roy Stafford</dc:creator>
				<category><![CDATA[French Cinema]]></category>
		<category><![CDATA[Melodrama]]></category>
		<category><![CDATA[allegory]]></category>
		<category><![CDATA[Jacques Prévèrt]]></category>
		<category><![CDATA[Marcel Carné]]></category>
		<category><![CDATA[Occupation Cinema]]></category>

		<guid isPermaLink="false">http://itpworld.wordpress.com/?p=6269</guid>
		<description><![CDATA[Once voted the best/most popular French film of all time and showing almost continuously in Paris for forty years or more after its release, Les enfants du paradis is almost a sacred institution. In the 1960s and 1970s any aspiring cinephile would be expected to have seen the film on one of its numerous outings [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=itpworld.wordpress.com&amp;blog=3802717&amp;post=6269&amp;subd=itpworld&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://itpworld.wordpress.com/2012/01/10/les-enfants-du-paradis-france-1945/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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